Homo, Memento Finis

David Bevington is the Phyllis Faye Horton Distinguished Service Professor Emeritus and the chair of Theater and Performance Studies at the University of Chicago. Huston Diehl was a professor of English and a CLAS Collegiate Fellow at the University of Iowa.Richard Kenneth Emmerson is dean of Manhattan College's school of the arts and a former director of the Medieval Academy of America. Ronald Herzman is a Distinguished Teaching Professor of English at SUNY - Geneseo. Pamela Sheingorn is a professor of History at Baruch College.

• For God Is Such a Doomsman: Origins and Development of the Theme of Last Judgment by Pamela Sheingorn Let Us Seek Him Also: Tropological Judgment in Twelfth-Century Art and Drama by Ronald B. Herzman Nowe Ys Common This Daye: Enoch and Elias, Antichrist, and the Structure of the Chester Cycle by Richard Kenneth Emmerson Alle This Was Token Domysday to Drede: Visual Signs of Last Judgment in the Corpus Christi Cycles and in Late Gothic Art by Pamela Sheingorn and David Bevington Man, Thinke on Thine Endinge Day: Stage Pictures of Just Judgment in The Castle of Perseverance by David Bevington To Put Us in Remembrance: The Protestant Transformation of Images of Judgment by Huston Diehl L'Envoi by David Bevington