Brill’s Studies on Art, Art History, and Intellectual History – serie

Placing Prints: New Developments in the Study of Print, 1400–1800

Mysterium Magnum: Michelangelo's Tondo Doni

Animals as Disguised Symbols in Renaissance Art

Body Within

Art, Medicine and Visualization

Tombs in Early Modern Rome (1400–1600)

Monuments of Mourning, Memory and Meditation

Animals in Eden

The Fall of Man in the Early Modern Art and Literature of Germany and the Low Countries

Rethinking the Dialogue between the Verbal and the Visual

Methodological Approaches to the Relationship Between Religious Art and Literature (1400–1700)

Private Salons and the Art World of Enlightenment Paris

Cistercian Architecture and Medieval Society

Transformations of Time and Temporality in Medieval and Renaissance Art

Portrait Bust and French Cultural Politics in the Eighteenth Century

Rubens and the Dominican Church in Antwerp

Art and Political Economy in an Age of Religious Conflict

Der sokratische Künstler

Studien zu Rembrandts Nachtwache

Andrea Fulvio’s Illustrium imagines and the Beginnings of Classical Archaeology

Art and Diplomacy: Seventeenth-Century English Decorated Royal Letters to Russia and the Far East

Understanding of Ornament in the Italian Renaissance

Reading Catechisms, Teaching Religion

Hospitals and Urbanism in Rome, 1200-1500

Exuberant Apotheoses: Italian Frescoes in the Holy Roman Empire

Visual Culture and Princely Power in the Age of Enlightenment

St. Jacob’s Antwerp Art and Counter Reformation in Rubens’s Parish Church

Michelangelo in the New Millennium

Conversations about Artistic Practice, Patronage and Christianity

Literature and Artistic Practice in Sixteenth-Century Italy

Sibyl Series of the Fifteenth Century

Interactive and Sculptural Printmaking in the Renaissance

Ornamental Nationalism

Archaeology and Antiquities in Mexico, 1876-1911

Primacy of the Image in Northern European Art, 1400–1700

Essays in Honor of Larry Silver

Empresses and Queens in the Courtly Public Sphere from the 17th to the 20th Century

Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510–1610

Globalization of Renaissance Art

A Critical Review