Wes D. Gehring – författare

Charlie Chaplin

A Bio-Bibliography

W. C. Fields

A Bio-Bibliography

Marx Brothers

A Bio-Bibliography

Screwball Comedy

A Genre of Madcap Romance

Laurel and Hardy

A Bio-Bibliography

Mr. B or Comforting Thoughts About the Bison

A Critical Biography of Robert Benchley

Populism and the Capra Legacy

American Dark Comedy

Beyond Satire

Personality Comedians as Genre

Selected Players

Parody as Film Genre

Never Give a Saga an Even Break

Mr. Deeds Goes to Yankee Stadium

Baseball Films in the Capra Tradition

Joe E. Brown

Film Comedian and Baseball Buffoon

Film Clowns of the Depression

Twelve Defining Comic Performances

Forties Film Funnymen

The Decade's Great Comedians at Work in the Shadow of War

Will Cuppy, American Satirist

A Biography

Chaplin's War Trilogy

An Evolving Lens in Three Dark Comedies, 1918-1947

Genre-Busting Dark Comedies of the 1970s

Twelve American Films

Movie Comedians of the 1950s

Defining a New Era of Big Screen Comedy

Romantic vs. Screwball Comedy

Charting the Difference

Leo McCarey

From Marx to McCarthy

Irene Dunne

First Lady of Hollywood

The Charlie Chaplin Murder Mystery

Buster Keaton in His Own Time

What the Responses of 1920s Critics Reveal

Charlie Chaplin and A Woman of Paris

The Genesis of a Misunderstood Masterpiece

Hitchcock and Humor

Modes of Comedy in Twelve Defining Films

Kinds of American Film Comedy

Six Core Genres and Their Literary Roots

Billy Wilder and Some Like It Hot

The Genesis of America's Greatest Screen Comedy

I, Red Skelton

Exit Laughing... Or, a Man, His Movies, and Sometimes His Monkeys

Groucho and W. C. Fields

Huckster Comedians