Michael T. Martin – författare

Politics and Poetics of Black Film

Nothing but a Man

Politics and Poetics of Black Film

Nothing but a Man

Race and the Revolutionary Impulse in the Spook Who Sat by the Door

Race and the Revolutionary Impulse in the Spook Who Sat by the Door

Birth of a Nation

The Cinematic Past in the Present

From Street to Screen

Charles Burnett's Killer of Sheep

African Cinema: Manifesto and Practice for Cultural Decolonization

Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations

African Cinema: Manifesto and Practice for Cultural Decolonization

Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations

African Cinema: Manifesto and Practice for Cultural Decolonization

Volume 2: FESPACO—Formation, Evolution, Challenges

African Cinema: Manifesto and Practice for Cultural Decolonization

Volume 2: FESPACO—Formation, Evolution, Challenges

African Cinema: Manifesto and Practice for Cultural Decolonization

Volume 3: the Documentary Record—Declarations, Resolutions, Manifestos, Speeches

African Cinema: Manifesto and Practice for Cultural Decolonization

Volume 3: the Documentary Record—Declarations, Resolutions, Manifestos, Speeches

New Latin American Cinema Vol. 1

New Latin American Cinema Vol. 2

Cinemas of the Black Diaspora

Diversity, Dependence and Oppositionality

Redress for Historical Injustices in the United States

On Reparations for Slavery, Jim Crow, and Their Legacies