Georges Didi-Huberman – författare

Surviving Image

Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art

Ninfa moderna : essä över fallen drapering

Images in Spite of All

Four Photographs from Auschwitz

Atlas, or the Anxious Gay Science

What Is a People?

Eye of History

When Images Take Positions

Invention of Hysteria

Charcot and the Photographic Iconography of the Salpêtrière

Confronting Images

Questioning the Ends of a Certain History of Art

Surviving Image

Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art

Being a Skull

Site, Contact, Thought, Sculpture

Man Who Walked in Color

Movements of Air – The Photographs from Étienne–Jules Marey′s Wind Tunnels

Der Mensch, der in der Farbe ging

Parachute

The Anthology Photography, Film, Video, and New Media

Das Nachleben der Bilder

Was wir sehen blickt uns an

Bilder trotz allem

Zerstoben

Zeugenschaft bis zum letzten

Divine Violence

Povo em lágrimas, povo em armas

När bilderna tar ställning. Historiens öga, 1

Förspridda : en resa i Warszawaghettots papper

Vittne intill slutet : en läsning av Victor Klemperers dagbok

Gruvgas

Historiens änglar. Bilder av oroliga tider

Näver

Bark

Gestes Critiques