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Beth Glixon, Nathan Link, Rebecca Cypess, Beth L. Glixon, Nathan Link - Word, Image, and Song, Vol. 1, Inbunden

Inbunden, Engelska, 2013

Del 101 i serien Eastman Studies in Music

Word, Image, and Song, Vol. 1

Essays on Early Modern Italy

Av Beth Glixon, Nathan Link, Rebecca Cypess, Beth L. Glixon, Nathan Link

2269 kr

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Beskrivning
New essays by noted authorities on music and related arts in early modern Italy, giving special attention to musical sources, poetry, performance, and visual arts.The rich cultural environment of early modern Italy inspired a vast array of musical innovations: this was the first age of the virtuoso performer, the era that witnessed the beginnings of opera, and a moment that saw the intersection and cross-fertilization of madrigals and songs of all sorts. Word, Image, and Song: Essays on Early Modern Italy presents a broad range of approaches to the study of music and related arts in that era. Topics include musical source studies, issues of performance, poetry and linguistics, influences on music from the classical tradition, and the interconnectedness of music and visual art. Their points of departure include well-known musical workssuch as Monteverdi's madrigals, librettos of seventeenth-century operas, the poetry of Giambattista Marino, and the paintings of Titian and his contemporaries.Contributors: Jennifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan ParkerShimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.
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ANDREW H. WEAVER is Professor of Musicology at The Catholic University of America, Washington, DC.

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Almost every essay is rooted in seventeenth-century Venice. Nonetheless, the editors have achieved what amounts to a landmark collection of scholarly commentary on the compositional, spatial, visual, hermeneutic, and socio-political power of musical drama in this period. will appeal to scholars across a wide array of disciplines. Encourages a keen reconsideration of documentary sources and the stratified ways in which they can be read, . . . combining empirical analysis with a keen cultural and humanistic perspective. [Cusick's chapter] engages the reader in an old musicological topic made fresh by means of a compelling methodological framework.

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