Eastman Studies in Music – serie

Claude Debussy

A Critical Biography

Courage of Composers and the Tyranny of Taste

Reflections on New Music

Analyzing Wagner's Operas

Alfred Lorenz and German Nationalist Ideology

Elliott Carter: Collected Essays and Lectures, 1937-1995

Art of Musical Phrasing in the Eighteenth Century

Punctuating the Classical "Period"

Berlioz: Past, Present, Future

French Organ Music from the Revolution to Franck and Widor

Chansons of Orlando di Lasso and Their Protestant Listeners

Music, Piety, and Print in Sixteenth-Century France

Broadway Sound

The Autobiography and Selected Essays of Robert Russell Bennett

Portrait of Percy Grainger

Berlioz's Semi-Operas

Roméo et Juliette and La damnation de Faust

Concert Music, Rock, and Jazz since 1945

Essays and Analytical Studies

Bach and the Pedal Clavichord

An Organist's Guide

Music of American Folk Song

and Selected Other Writings on American Folk Music

Sea on Fire: Jean Barraqué

Schumann's Piano Cycles and the Novels of Jean Paul

Theories of Fugue from the Age of Josquin to the Age of Bach

Explaining Tonality

Schenkerian Theory and Beyond

Debussy's Letters to Inghelbrecht

The Story of a Musical Friendship

Musical Madhouse

An English Translation of Berlioz's Les Grotesques de la musique

Musical Encounters at the 1889 Paris World's Fair

Irony and Sound

The Music of Maurice Ravel

Bach's Changing World:

Voices in the Community

European Music and Musicians in New York City, 1840-1900

Rosary Cantoral

Ritual and Social Design in a Chantbook from Early Renaissance Toledo

Substance of Things Heard

Writings about Music

Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces

Reception, Enthusiasm, Cult

Letters I Never Mailed: Clues to a Life

Berlioz: Scenes from the Life and Work