fm.author_biographical_note1

• Acknowledgements; A chronology of Cobbett's life; Introduction: change and continuity; Part I. The Creation of Cobbett: 1. Early writings 1792–1800; 2. A version of reaction; 3. Oppositional styles 1804–16; 4. Representing Old England; Part II. Cobbett and his Audience: 5. Dialogue and debate; 6. A radical history; 7. Tracts and teaching; 8. Constituting the nation; Notes; Bibliography; Index.

'[This] valuable book makes it possible even for those who find Cobbett's ideas in themselves too often naive, wrongheaded, or repellent, to continue to admire his art. It also goes far to account for Cobbett's undoubtedly enormous influence in his day.' James Sambrook, Romanticism

fm.author_biographical_note1

• Acknowledgements; A chronology of Cobbett's life; Introduction: change and continuity; Part I. The Creation of Cobbett: 1. Early writings 1792–1800; 2. A version of reaction; 3. Oppositional styles 1804–16; 4. Representing Old England; Part II. Cobbett and his Audience: 5. Dialogue and debate; 6. A radical history; 7. Tracts and teaching; 8. Constituting the nation; Notes; Bibliography; Index.

'[This] valuable book makes it possible even for those who find Cobbett's ideas in themselves too often naive, wrongheaded, or repellent, to continue to admire his art. It also goes far to account for Cobbett's undoubtedly enormous influence in his day.' James Sambrook, Romanticism

fm.author_biographical_note1

• Acknowledgements; A chronology of Cobbett's life; Introduction: change and continuity; Part I. The Creation of Cobbett: 1. Early writings 1792–1800; 2. A version of reaction; 3. Oppositional styles 1804–16; 4. Representing Old England; Part II. Cobbett and his Audience: 5. Dialogue and debate; 6. A radical history; 7. Tracts and teaching; 8. Constituting the nation; Notes; Bibliography; Index.

'[This] valuable book makes it possible even for those who find Cobbett's ideas in themselves too often naive, wrongheaded, or repellent, to continue to admire his art. It also goes far to account for Cobbett's undoubtedly enormous influence in his day.' James Sambrook, Romanticism