Cambridge Studies in Romanticism – serie

Mary Wollstonecraft and the Feminist Imagination

Byron and Romanticism

Rousseau, Robespierre and English Romanticism

British Romanticism and the Science of the Mind

Poetry as an Occupation and an Art in Britain, 1760-1830

Wordsworth and the Geologists

Romance and Revolution

Shelley and the Politics of a Genre

Print Politics

The Press and Radical Opposition in Early Nineteenth-Century England

The Anti-Jacobin Novel

British Conservatism and the French Revolution

Religion, Toleration, and British Writing, 1790-1830

Coleridge on Dreaming

Romanticism, Dreams and the Medical Imagination

Women Writers and the English Nation in the 1790s

Romantic Belongings

Romanticism, Aesthetics, and Nationalism

Imagination under Pressure, 1789-1832

Aesthetics, Politics and Utility

Lyric and Labour in the Romantic Tradition

Women, Nationalism, and the Romantic Stage

Theatre and Politics in Britain, 1780-1800

British Fiction and the Production of Social Order, 1740-1830

Wordsworth's Pope

A Study in Literary Historiography

Reading Daughters' Fictions 1709-1834

Novels and Society from Manley to Edgeworth

Napoleon and English Romanticism

Keats, Narrative and Audience

The Posthumous Life of Writing

Shelley and the Revolution in Taste

The Body and the Natural World

Contesting the Gothic

Fiction, Genre and Cultural Conflict, 1764-1832

The Poetics of Spice

Romantic Consumerism and the Exotic

Ideology and Utopia in the Poetry of William Blake

Romantic Atheism

Poetry and Freethought, 1780-1830

Romantic Poets and the Culture of Posterity

Romanticism and the Gothic

Genre, Reception, and Canon Formation

Romantic Identities

Varieties of Subjectivity, 1774-1830