Del 53 - Brill’s Studies on Art, Art History, and Intellectual History

Visualizing the Past in Italian Renaissance Art

Essays in Honor of Brian A. Curran

Inbunden, Engelska, 2021

AvJennifer Cochran Anderson,Douglas N. Dow,Jennifer Cochran Anderson,Douglas N Dow

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The essays in Visualizing the Past in Italian Renaissance Art address a foundational concept that was as central to early modern thinking as it is to our own: that the past is always an important part of the present. Written by the friends, students, and colleagues of Dr. Brian Curran, former professor of Art History at the Pennsylvania State University, these authors demonstrate how reverberations of the past within the present are intrinsic to the ways in which we think about the history of art. Examinations of sculpture, painting, and architecture reveal the myriad ways that history has been appropriated, reinvented, and rewritten as subsequent generations—including the authors collected here—have attained new insight into the past and present.Contributors: Denise Costanzo, William E. Wallace, Theresa A. Kutasz Christensen, Ingrid Rowland, Anthony Cutler, Marilyn Aronberg Lavin, Louis Alexander Waldman, Elizabeth Petersen Cyron, Stuart Lingo, Jessica Boehman, Katherine M. Bentz, Robin L. Thomas, and John Pinto.

Produktinformation

Utgivningsdatum2021-03-25
Mått155 x 235 x 20 mm
Vikt794 g
FormatInbunden
SpråkEngelska
SerieBrill’s Studies on Art, Art History, and Intellectual History
Antal sidor342
FörlagBrill
ISBN9789004391529

Tillhör följande kategorier

Konsthistoria inom Kultur
Europas historia inom Historia och arkeologi

Jennifer Cochran Anderson, Ph.D. (2012, Pennsylvania State University) is an independent art historian working in Austin, Texas. She is currently preparing a book project on the historical “afterlives” of Ireland’s wooden devotional sculptures dating to the Lordship (1177–1542) and Suppression (1535–1800) eras. Douglas N. Dow, Ph.D. (2006, Pennsylvania State University) is Associate Professor of Art History at Kansas State University. He is the author of Apostolic Iconography and Florentine Confraternities in the Age of Reform (2014); his next book examines Bernardino Poccetti’s religious paintings.

Preface and AcknowledgementsList of IllustrationsNotes on ContributorsIntroduction: Brian Curran, Past, Present, PlaceDouglas N. Dow and Jennifer Cochran AndersonPublications by Brian A. Curran1 Horrors and Heroes, Renaissance and Recent: Rome as Architecture SchoolDenise R. Costanzo2 Michelangelo’s ColumnsWilliam E. Wallace3 Allegory, Antiquities, and a Gothic Apollo: Queen Christina of Sweden and the Manufacture of Cultural IdentityTheresa A. Kutasz Christensen4 The Atlantic Visions of Giorgio Grognet de Vassé (1774–1862), Maltese Forger, Architect, and AntiquarianIngrid Rowland5 Drawing the Elephant: On the Natures of Naturalism before and in the CinquecentoAnthony Cutler6 A Faun in Love: The Visual SourcesMarilyn Aronberg Lavin7 Marco del Buono Giamberti’s 1478 Testament and New Evidence about Paolo UccelloLouis Alexander Waldman8 The Architecture of Civic Virtue in Donatello’s Saint George and the DragonElizabeth Petersen Cyron9 American Bodies, Aztec Feathers, and Artistic Invention in Sixteenth-Century EuropeStuart Lingo10 Cafà’s Saint Rose of Lima as EffigyJessica M. Boehman11 Gardens, Air, and the Healing Power of Green in Early Modern RomeKatherine M. Bentz12 The Guglie of Naples and the Visual Rhetoric of HeightRobin L. Thomas13 Nicola Michetti’s Facade of the Palazzo Colonna in Rome (1731–1735)John PintoTabula in MemoriamCraig ZabelIndex