Stefanie Acquavella-Rauch is Professor of Musicology at Johannes Gutenberg-Universität Mainz. Her research areas include creative processes, musical practices from the 18th to the 21st century and methods of music research.Birger Petersen is Professor of Music Theory at Johannes Gutenberg-Universität Mainz. His work focuses on the history of music theory, organ music and contemporary music. Nico Schüler is University Distinguished Professor of Music Theory and Musicology at Texas State University. His main research interests are interdisciplinary aspects of 19th through 21st century musics and computational music research.

• Stefanie Acquavella-Rauch, Birger Petersen and Nico Schüler: Transatlantic Perspectives on Hidden Late 19th Century Music - Joanna Pepple: Repertoire and Programming at the Leipzig Conservatory: The Transcontinental Impact on the United States and Its First Conservatories of Music - Birger Petersen: George W. Chadwick and German Music Theory Traditions - Philipp Teriete: The Classical Training of Early African American Jazz Musicians: Musical Education at Historically Black Colleges and Universities in the Late Nineteenth and Early Twentieth Centuries and its Influence on Early Jazz - Nico Schüler: Networks of Black Artists in Minstrel and Jubilee Ensembles in the US in the Late 19th Century - Stefanie Acquavella-Rauch: Recreation through Music: Clubs, Amateurs and Professionals in US-American Banjo, Guitar and Mandolin Culture - Frederic von Vlahovits: On Nineteenth-Century ›Musicosmopolitanism‹: Tracing the Publishing Entrepreneur Julius Schuberth (1804–1875) - Marie Sumner Lott: Hidden in Plain Sight: Imagining the Middle Ages in the Music Histories of the Long Nineteenth Century - Immanuel Ott: Non-Western Music in Hugo Kaun’s Symphonic Poem Hiawatha - Paula J. Conlon: The Emergence of Peyotism in Indian Territory in the Late 1800s - Mita Banerjee: Resurrecting the Past: Music, Culture, and Indigeneity in the Music of Jeremy Dutcher

Stefanie Acquavella-Rauch is Professor of Musicology at Johannes Gutenberg-Universität Mainz. Her research areas include creative processes, musical practices from the 18th to the 21st century and methods of music research.Birger Petersen is Professor of Music Theory at Johannes Gutenberg-Universität Mainz. His work focuses on the history of music theory, organ music and contemporary music. Nico Schüler is University Distinguished Professor of Music Theory and Musicology at Texas State University. His main research interests are interdisciplinary aspects of 19th through 21st century musics and computational music research.

• Stefanie Acquavella-Rauch, Birger Petersen and Nico Schüler: Transatlantic Perspectives on Hidden Late 19th Century Music - Joanna Pepple: Repertoire and Programming at the Leipzig Conservatory: The Transcontinental Impact on the United States and Its First Conservatories of Music - Birger Petersen: George W. Chadwick and German Music Theory Traditions - Philipp Teriete: The Classical Training of Early African American Jazz Musicians: Musical Education at Historically Black Colleges and Universities in the Late Nineteenth and Early Twentieth Centuries and its Influence on Early Jazz - Nico Schüler: Networks of Black Artists in Minstrel and Jubilee Ensembles in the US in the Late 19th Century - Stefanie Acquavella-Rauch: Recreation through Music: Clubs, Amateurs and Professionals in US-American Banjo, Guitar and Mandolin Culture - Frederic von Vlahovits: On Nineteenth-Century ›Musicosmopolitanism‹: Tracing the Publishing Entrepreneur Julius Schuberth (1804–1875) - Marie Sumner Lott: Hidden in Plain Sight: Imagining the Middle Ages in the Music Histories of the Long Nineteenth Century - Immanuel Ott: Non-Western Music in Hugo Kaun’s Symphonic Poem Hiawatha - Paula J. Conlon: The Emergence of Peyotism in Indian Territory in the Late 1800s - Mita Banerjee: Resurrecting the Past: Music, Culture, and Indigeneity in the Music of Jeremy Dutcher

Stefanie Acquavella-Rauch is Professor of Musicology at Johannes Gutenberg-Universität Mainz. Her research areas include creative processes, musical practices from the 18th to the 21st century and methods of music research.Birger Petersen is Professor of Music Theory at Johannes Gutenberg-Universität Mainz. His work focuses on the history of music theory, organ music and contemporary music. Nico Schüler is University Distinguished Professor of Music Theory and Musicology at Texas State University. His main research interests are interdisciplinary aspects of 19th through 21st century musics and computational music research.

• Stefanie Acquavella-Rauch, Birger Petersen and Nico Schüler: Transatlantic Perspectives on Hidden Late 19th Century Music - Joanna Pepple: Repertoire and Programming at the Leipzig Conservatory: The Transcontinental Impact on the United States and Its First Conservatories of Music - Birger Petersen: George W. Chadwick and German Music Theory Traditions - Philipp Teriete: The Classical Training of Early African American Jazz Musicians: Musical Education at Historically Black Colleges and Universities in the Late Nineteenth and Early Twentieth Centuries and its Influence on Early Jazz - Nico Schüler: Networks of Black Artists in Minstrel and Jubilee Ensembles in the US in the Late 19th Century - Stefanie Acquavella-Rauch: Recreation through Music: Clubs, Amateurs and Professionals in US-American Banjo, Guitar and Mandolin Culture - Frederic von Vlahovits: On Nineteenth-Century ›Musicosmopolitanism‹: Tracing the Publishing Entrepreneur Julius Schuberth (1804–1875) - Marie Sumner Lott: Hidden in Plain Sight: Imagining the Middle Ages in the Music Histories of the Long Nineteenth Century - Immanuel Ott: Non-Western Music in Hugo Kaun’s Symphonic Poem Hiawatha - Paula J. Conlon: The Emergence of Peyotism in Indian Territory in the Late 1800s - Mita Banerjee: Resurrecting the Past: Music, Culture, and Indigeneity in the Music of Jeremy Dutcher