Mechthild Fend is Professor of History of Art, Goethe-University Frankfurt. She specializes in French eighteenth- and nineteenth-century art, with particular interests in feminist art history and its historiography, images of the body, and medical imagery. Her books include Fleshing out Surfaces. Skin in French Art and Medicine (1650-1850), published in 2017. Jennifer Germann is an art historian specializing in women’s history and eighteenth-century French and British art. She has published in Eighteenth-Century Studies, American Art, and cite>Studies in Eighteenth-Century Culture. She is the author of Picturing Marie Leszczinska (1703–1768): Representing Queenship in Eighteenth-Century France (2015). Melissa Hyde is Professor of Art History and Distinguished Teaching Scholar, University of Florida. She publishes on gender, the visual arts, and women artists and Rococo and its afterlives in the long eighteenth century in France. Books include Becoming a Woman in the Age of Enlightenment (with Mary Sheriff) (2017), as well as numerous edited volumes.

• Acknowledgements, Preface, Introduction: Mary D. Sheriff: Charting New Possibilities for Feminist Art History - Mechthild Fend, Jennifer Germann, and Melissa Hyde,OVERTURE, 1. Women and Modes of Self-Portraiture: Fashion, Motherhood, Sensibilité, - Mary D. Sheriff, Part I. ART AS SOCIAL PRACTICE, 2. The Woman Artist and the Uncovering of the Social World, - Lynn Hunt, 3. La touche d'une femme: Women Artists in the Age of Revolutions, - Paris Spies-Gans, Part II. GENDER AND FASHION, 4. Chardin's Girls: The Ethics of Painting, - Ewa Lajer-Burcharth, 5. Thinking Animals: Dogs and Men in Eighteenth-Century French Hunting Art, - Amy Freund, 6. Temporality and Figures de mode: Fashion, Costume, and Gender in Eighteenth-Century Drawings and Prints, - Susan L. Siegfried, Part III. WOMEN IN NATURAL HISTORY, 7. Marie-Thérèse Reboul (Mme Vien): More Than a Footnote in Art History, - Melissa Hyde, 8. Mlle Basseporte's Jardin, Mlle Biheron's Cabinet: Artist-Scientists and Their Spheres of Sociability, - Nina Rattner Gelbart, Part IV. ENCOUNTERS IN PORTRAITURE, 9. Marguerite Le Comte's Smile: Portrait of an Amatrice, - Mechthild Fend, 10. Imperial Family Portraits: Gender, Race, and Social Rank in The Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray, - Jennifer Germann, 11. Madeleine of the Americas: Resituating Benoist's Portrait of a Young Black Woman in Colonial Art, - Anne Lafont, Index.

Mechthild Fend is Professor of History of Art, Goethe-University Frankfurt. She specializes in French eighteenth- and nineteenth-century art, with particular interests in feminist art history and its historiography, images of the body, and medical imagery. Her books include Fleshing out Surfaces. Skin in French Art and Medicine (1650-1850), published in 2017. Jennifer Germann is an art historian specializing in women’s history and eighteenth-century French and British art. She has published in Eighteenth-Century Studies, American Art, and cite>Studies in Eighteenth-Century Culture. She is the author of Picturing Marie Leszczinska (1703–1768): Representing Queenship in Eighteenth-Century France (2015). Melissa Hyde is Professor of Art History and Distinguished Teaching Scholar, University of Florida. She publishes on gender, the visual arts, and women artists and Rococo and its afterlives in the long eighteenth century in France. Books include Becoming a Woman in the Age of Enlightenment (with Mary Sheriff) (2017), as well as numerous edited volumes.

• Acknowledgements, Preface, Introduction: Mary D. Sheriff: Charting New Possibilities for Feminist Art History - Mechthild Fend, Jennifer Germann, and Melissa Hyde,OVERTURE, 1. Women and Modes of Self-Portraiture: Fashion, Motherhood, Sensibilité, - Mary D. Sheriff, Part I. ART AS SOCIAL PRACTICE, 2. The Woman Artist and the Uncovering of the Social World, - Lynn Hunt, 3. La touche d'une femme: Women Artists in the Age of Revolutions, - Paris Spies-Gans, Part II. GENDER AND FASHION, 4. Chardin's Girls: The Ethics of Painting, - Ewa Lajer-Burcharth, 5. Thinking Animals: Dogs and Men in Eighteenth-Century French Hunting Art, - Amy Freund, 6. Temporality and Figures de mode: Fashion, Costume, and Gender in Eighteenth-Century Drawings and Prints, - Susan L. Siegfried, Part III. WOMEN IN NATURAL HISTORY, 7. Marie-Thérèse Reboul (Mme Vien): More Than a Footnote in Art History, - Melissa Hyde, 8. Mlle Basseporte's Jardin, Mlle Biheron's Cabinet: Artist-Scientists and Their Spheres of Sociability, - Nina Rattner Gelbart, Part IV. ENCOUNTERS IN PORTRAITURE, 9. Marguerite Le Comte's Smile: Portrait of an Amatrice, - Mechthild Fend, 10. Imperial Family Portraits: Gender, Race, and Social Rank in The Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray, - Jennifer Germann, 11. Madeleine of the Americas: Resituating Benoist's Portrait of a Young Black Woman in Colonial Art, - Anne Lafont, Index.

Mechthild Fend is Professor of History of Art, Goethe-University Frankfurt. She specializes in French eighteenth- and nineteenth-century art, with particular interests in feminist art history and its historiography, images of the body, and medical imagery. Her books include Fleshing out Surfaces. Skin in French Art and Medicine (1650-1850), published in 2017. Jennifer Germann is an art historian specializing in women’s history and eighteenth-century French and British art. She has published in Eighteenth-Century Studies, American Art, and cite>Studies in Eighteenth-Century Culture. She is the author of Picturing Marie Leszczinska (1703–1768): Representing Queenship in Eighteenth-Century France (2015). Melissa Hyde is Professor of Art History and Distinguished Teaching Scholar, University of Florida. She publishes on gender, the visual arts, and women artists and Rococo and its afterlives in the long eighteenth century in France. Books include Becoming a Woman in the Age of Enlightenment (with Mary Sheriff) (2017), as well as numerous edited volumes.

• Acknowledgements, Preface, Introduction: Mary D. Sheriff: Charting New Possibilities for Feminist Art History - Mechthild Fend, Jennifer Germann, and Melissa Hyde,OVERTURE, 1. Women and Modes of Self-Portraiture: Fashion, Motherhood, Sensibilité, - Mary D. Sheriff, Part I. ART AS SOCIAL PRACTICE, 2. The Woman Artist and the Uncovering of the Social World, - Lynn Hunt, 3. La touche d'une femme: Women Artists in the Age of Revolutions, - Paris Spies-Gans, Part II. GENDER AND FASHION, 4. Chardin's Girls: The Ethics of Painting, - Ewa Lajer-Burcharth, 5. Thinking Animals: Dogs and Men in Eighteenth-Century French Hunting Art, - Amy Freund, 6. Temporality and Figures de mode: Fashion, Costume, and Gender in Eighteenth-Century Drawings and Prints, - Susan L. Siegfried, Part III. WOMEN IN NATURAL HISTORY, 7. Marie-Thérèse Reboul (Mme Vien): More Than a Footnote in Art History, - Melissa Hyde, 8. Mlle Basseporte's Jardin, Mlle Biheron's Cabinet: Artist-Scientists and Their Spheres of Sociability, - Nina Rattner Gelbart, Part IV. ENCOUNTERS IN PORTRAITURE, 9. Marguerite Le Comte's Smile: Portrait of an Amatrice, - Mechthild Fend, 10. Imperial Family Portraits: Gender, Race, and Social Rank in The Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray, - Jennifer Germann, 11. Madeleine of the Americas: Resituating Benoist's Portrait of a Young Black Woman in Colonial Art, - Anne Lafont, Index.