Visual and Material Culture, 1300-1700 - Böcker

Architecture, Opportunity, and Conflict in Eighteenth-Century Sicily

Rebuilding after Natural Disaster

Art and Its Geographies

Configuring Schools of Art in Europe (1550-1815)

Art, Trade, and Imperialism in Early Modern French India

Artisans, Objects and Everyday Life in Renaissance Italy

The Material Culture of the Middling Class

Bernardino Poccetti and the Art of Religious Painting at the End of the Florentine Renaissance

Colonial Objects in Early Modern Sweden and Beyond

From the Kunstkammer to the Current Museum Crisis

Comfortable Everyday Life at the Swedish Eighteenth-Century Näs Manor

Contamination and Purity in Early Modern Art and Architecture

Creating Distinctions in Dutch Genre Painting

Repetition and Invention

Creating Place in Early Modern European Architecture

Divine and Demonic Imagery at Tor de'Specchi, 1400-1500

Religious Women and Art in 15th-century Rome

Early Modern Spaces in Motion

Design, Experience and Rhetoric

Figuring Faith and Female Power in the Art of Rubens

Flagellant Confraternities and Italian Art, 1260-1610

Ritual and Experience

Gender, Space and Experience at the Renaissance Court

Performance and Practice at the Palazzo Te

Godefridus Schalcken

A Dutch Painter in Late Seventeenth-Century London

Green Worlds in Early Modern Italy

Art and the Verdant Earth

Image and the Office of the Dead in Late Medieval Europe

Regular, Repellant, and Redemptive Death

In-Between Textiles, 1400-1800

Weaving Subjectivities and Encounters

Indecent Bodies in Early Modern Visual Culture

Jacob van Ruisdael’s Ecological Landscapes

Landscape and Earth in Early Modernity

Picturing Unruly Nature

Landscape and the Arts in Early Modern Italy

Theatre, Gardens and Visual Culture

Materialized Identities in Early Modern Culture, 1450-1750

Objects, Affects, Effects

Money Matters in European Artworks and Literature, c. 1400-1750

Netherlandish and Italian Female Portraiture in the Fifteenth Century

Gender, Identity, and the Tradition of Power

Ornament and Monstrosity in Early Modern Art

Petrarch and Sixteenth-Century Italian Portraiture

Picturing Commerce in and from the East Asian Maritime Circuits, 1550-1800