The abyss which separates the actors from the audience like the dead from the living…” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?
Mischa Twitchin is a lecturer in Theatre and Performance at Goldsmiths, University of London, UK. Besides his academic work, he is a founder-member of the performance collective Shunt.
Introduction. Three instances of present readings of past writings.- Part I. Thinking of the dead through a concept of theatre (The Dead Class).- Part II. Chapter 1. Precedents (Craig and Artaud, Maeterlinck and Witkiewicz).- Chapter 2. Survivals and the uncanny.- Chapter 3. Superstition and an iconology.- Part III. Chapter 1. What do we see in theatre – in theory?.- Chapter 2. A question of appearance – enter the actor.- Part IV. Tadeusz Kantor – An avant-garde of death.- Bibliography.