Anne E. Fernald is Professor of English and Women's, Gender, and Sexuality Studies at Fordham University. She is the editor of the Cambridge University Press Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021). She is co-editor of Modernism/modernity and one of the editors of The Norton Reader, a widely-used anthology of essays. She is the author of Virginia Woolf: Feminism and the Reader (2006) as well as articles and reviews on Woolf and feminist modernism.

• Part I: Life 1: Urmila Seshagiri: Family and Place 2: Kathryn Simpson: Friends and Lovers 3: Regina Marler: Traditions and Transformations Part II: Texts 4: Caroline Pollentier: Private Writings 5: Jocelyn Rodal: Early Novels and Stories (1915-1923) 6: Gabrielle McIntire: Mature Works I (1924-1927) 7: Elsa Högberg: Mature Works II (1928-1932) 8: Alice Wood: Late Works (1933-1941) Part III: Experiments in Form and Style 9: Dora Zhang: Stream of Consciousness 10: Amy Bromley: Character, Form, and Fiction 11: Jesse Matz: Time 12: Janine Utell: Narrative Ethics 13: Jane de Gay: Allusion and Metaphor 14: Laura Marcus: Biography and Autobiography Part IV: Professions of Writing 15: Helen Southworth: Literary London 16: Alice Staveley: The Hogarth Press 17: Eleanor McNees: Woolf as Reviewer-Critic 18: Beth C. Rosenberg: The Essays 19: Claire Davison: The Lyrical Mode of Translating Part V: Contexts 20: Stephanie J Brown: Woolf's Feminism 21: Chris Coffman: Queer Theory 22: Anna Snaith: Woolf and Education 23: Barbara Green: Woolf and Suffrage 24: Tamar Katz: Impressionism and Post-Impressionism 25: Maxwell Uphaus: Oceans and Empire 26: Madelyn Detloff: Biopower 27: Cliff Mak: The Natural World and the Anthropocene 28: Beryl Pong: War and Peace 29: Mary Wilson: Work 30: Elizabeth M. Sheehan: Consumer Culture Part VI: Afterlives 31: Jean Mills: Feminist Theory 32: Elizabeth Outka: Disability, Illness, and Pain 33: Vara Neverow: The Academy and Publishing 34: Roxana Robinson: Modern Woolfian Fiction 35: Laura Mª Lojo-Rodríguez: Magic Realism and Experimental Fiction 36: Tonya Krause: Narrative Futures of the Feminist Novel 37: Stacey D'Erasmo: Creative Non-fiction and Poetry 38: Jacqueline Shin: Virginia Woolf, Filmmaker 39: Laura Smith: Woolfian Afterlives

This collection proves that Woolf helped define modern critique and creative writing as it is currently known.

Anne E. Fernald is Professor of English and Women's, Gender, and Sexuality Studies at Fordham University. She is the editor of the Cambridge University Press Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021). She is co-editor of Modernism/modernity and one of the editors of The Norton Reader, a widely-used anthology of essays. She is the author of Virginia Woolf: Feminism and the Reader (2006) as well as articles and reviews on Woolf and feminist modernism.

• Part I: Life 1: Urmila Seshagiri: Family and Place 2: Kathryn Simpson: Friends and Lovers 3: Regina Marler: Traditions and Transformations Part II: Texts 4: Caroline Pollentier: Private Writings 5: Jocelyn Rodal: Early Novels and Stories (1915-1923) 6: Gabrielle McIntire: Mature Works I (1924-1927) 7: Elsa Högberg: Mature Works II (1928-1932) 8: Alice Wood: Late Works (1933-1941) Part III: Experiments in Form and Style 9: Dora Zhang: Stream of Consciousness 10: Amy Bromley: Character, Form, and Fiction 11: Jesse Matz: Time 12: Janine Utell: Narrative Ethics 13: Jane de Gay: Allusion and Metaphor 14: Laura Marcus: Biography and Autobiography Part IV: Professions of Writing 15: Helen Southworth: Literary London 16: Alice Staveley: The Hogarth Press 17: Eleanor McNees: Woolf as Reviewer-Critic 18: Beth C. Rosenberg: The Essays 19: Claire Davison: The Lyrical Mode of Translating Part V: Contexts 20: Stephanie J Brown: Woolf's Feminism 21: Chris Coffman: Queer Theory 22: Anna Snaith: Woolf and Education 23: Barbara Green: Woolf and Suffrage 24: Tamar Katz: Impressionism and Post-Impressionism 25: Maxwell Uphaus: Oceans and Empire 26: Madelyn Detloff: Biopower 27: Cliff Mak: The Natural World and the Anthropocene 28: Beryl Pong: War and Peace 29: Mary Wilson: Work 30: Elizabeth M. Sheehan: Consumer Culture Part VI: Afterlives 31: Jean Mills: Feminist Theory 32: Elizabeth Outka: Disability, Illness, and Pain 33: Vara Neverow: The Academy and Publishing 34: Roxana Robinson: Modern Woolfian Fiction 35: Laura Mª Lojo-Rodríguez: Magic Realism and Experimental Fiction 36: Tonya Krause: Narrative Futures of the Feminist Novel 37: Stacey D'Erasmo: Creative Non-fiction and Poetry 38: Jacqueline Shin: Virginia Woolf, Filmmaker 39: Laura Smith: Woolfian Afterlives

This collection proves that Woolf helped define modern critique and creative writing as it is currently known.

Anne E. Fernald is Professor of English and Women's, Gender, and Sexuality Studies at Fordham University. She is the editor of the Cambridge University Press Mrs. Dalloway (2014) and the Norton Critical Edition of Mrs. Dalloway (2021). She is co-editor of Modernism/modernity and one of the editors of The Norton Reader, a widely-used anthology of essays. She is the author of Virginia Woolf: Feminism and the Reader (2006) as well as articles and reviews on Woolf and feminist modernism.

• Part I: Life 1: Urmila Seshagiri: Family and Place 2: Kathryn Simpson: Friends and Lovers 3: Regina Marler: Traditions and Transformations Part II: Texts 4: Caroline Pollentier: Private Writings 5: Jocelyn Rodal: Early Novels and Stories (1915-1923) 6: Gabrielle McIntire: Mature Works I (1924-1927) 7: Elsa Högberg: Mature Works II (1928-1932) 8: Alice Wood: Late Works (1933-1941) Part III: Experiments in Form and Style 9: Dora Zhang: Stream of Consciousness 10: Amy Bromley: Character, Form, and Fiction 11: Jesse Matz: Time 12: Janine Utell: Narrative Ethics 13: Jane de Gay: Allusion and Metaphor 14: Laura Marcus: Biography and Autobiography Part IV: Professions of Writing 15: Helen Southworth: Literary London 16: Alice Staveley: The Hogarth Press 17: Eleanor McNees: Woolf as Reviewer-Critic 18: Beth C. Rosenberg: The Essays 19: Claire Davison: The Lyrical Mode of Translating Part V: Contexts 20: Stephanie J Brown: Woolf's Feminism 21: Chris Coffman: Queer Theory 22: Anna Snaith: Woolf and Education 23: Barbara Green: Woolf and Suffrage 24: Tamar Katz: Impressionism and Post-Impressionism 25: Maxwell Uphaus: Oceans and Empire 26: Madelyn Detloff: Biopower 27: Cliff Mak: The Natural World and the Anthropocene 28: Beryl Pong: War and Peace 29: Mary Wilson: Work 30: Elizabeth M. Sheehan: Consumer Culture Part VI: Afterlives 31: Jean Mills: Feminist Theory 32: Elizabeth Outka: Disability, Illness, and Pain 33: Vara Neverow: The Academy and Publishing 34: Roxana Robinson: Modern Woolfian Fiction 35: Laura Mª Lojo-Rodríguez: Magic Realism and Experimental Fiction 36: Tonya Krause: Narrative Futures of the Feminist Novel 37: Stacey D'Erasmo: Creative Non-fiction and Poetry 38: Jacqueline Shin: Virginia Woolf, Filmmaker 39: Laura Smith: Woolfian Afterlives

This collection proves that Woolf helped define modern critique and creative writing as it is currently known.