Adesola Akinleye (she/they) is an artist-scholar whose choreographic work bridges dance, art, technology, and social inquiry. With a background in ballet, Akinleye draws connections between movement, identity, and environment, viewing dance as a profound mode of engagement, storytelling, and social action. Co-artistic director of DancingStrongMovementLab and Associate Professor at Texas Woman's University, they are also a former Fellow at the Center for Art, Science, and Technology at MIT and Theatrum Mundi. Grounded in Afro-Indigenous perspectives, Akinleye explores dance as an embodied method for witnessing, remembering, and listening while fostering communal engagement through digital futures and embodied practice.Dr Kathrina Farrugia-Kriel is a dance scholar, educator and writer. With a background in dance teacher education and training, her books include Princess Poutiatine and the Art of Ballet in Malta (FPM, 2020), the first book on ballet and colonial histories about her nativeMalta, and The Oxford Handbook of Contemporary Ballet (2021). Her work published in the South African Dance Journal, Treasures of Malta, and she has contributed book chapters in The Oxford Handbook of Shakespeare and Dance (2019), Contemporary Choreography (3rd edition) and Fifty Musical Theatre Choreographers (both forthcoming). For two decades, her leadership in research in dance teacher training included chairing conferences, symposia and leading 'in conversation' events with global representations of ballet pedagogy. She has written and presented webinar series on ballet, including pioneers in dance teaching in England, including Tamara Karsavina, Felix Demery, Ruth French and Phyllis Bedells. More recently her writing explores Justin Peck's Illinoise (2023).