Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London. She is the author of Comparative Encounters between Artaud, Michaux and the Zhuangzi (2015). She was Junior Research Fellow at St Anne's College, Oxford, and is a member of the International Comparative Literature Association's Research Committee on Literary Theory.

• Introduction: reconceptualising risk through ludic aesthetics; 1. Games of fiction: Sino-French and Hong Kongese Sinophone novels; 2. Masquerading at risk: chain comparison, (auto)biographical mimesis and the French avant-garde; 3. Mask and face: Queering East Asian autofiction; 4. The ludopoetics of risk: Precariousness, translation, and drifting in world poetry; 5. Risk and mediation: intermedial image-texts by Xi Xi and Michèle Métail; Epilogue; Reference list; Index.

Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London. She is the author of Comparative Encounters between Artaud, Michaux and the Zhuangzi (2015). She was Junior Research Fellow at St Anne's College, Oxford, and is a member of the International Comparative Literature Association's Research Committee on Literary Theory.

• Introduction: reconceptualising risk through ludic aesthetics; 1. Games of fiction: Sino-French and Hong Kongese Sinophone novels; 2. Masquerading at risk: chain comparison, (auto)biographical mimesis and the French avant-garde; 3. Mask and face: Queering East Asian autofiction; 4. The ludopoetics of risk: Precariousness, translation, and drifting in world poetry; 5. Risk and mediation: intermedial image-texts by Xi Xi and Michèle Métail; Epilogue; Reference list; Index.

Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London. She is the author of Comparative Encounters between Artaud, Michaux and the Zhuangzi (2015). She was Junior Research Fellow at St Anne's College, Oxford, and is a member of the International Comparative Literature Association's Research Committee on Literary Theory.

• Introduction: reconceptualising risk through ludic aesthetics; 1. Games of fiction: Sino-French and Hong Kongese Sinophone novels; 2. Masquerading at risk: chain comparison, (auto)biographical mimesis and the French avant-garde; 3. Mask and face: Queering East Asian autofiction; 4. The ludopoetics of risk: Precariousness, translation, and drifting in world poetry; 5. Risk and mediation: intermedial image-texts by Xi Xi and Michèle Métail; Epilogue; Reference list; Index.