Swamp

Yoshiharu Tsuge was born in Tokyo, Japan, in 1937. Influenced by the realistic and gritty manga of Yoshihiro Tatsumi, he began making his own comics and was briefly recruited to assist Shigeru Mizuki in the 1960s. In 1968, while working for Garo magazine, Tsuge published the groundbreaking story “Neji-shiki” (commonly called “Screw Style” by Western readers), which established him as an influential manga-ka and a cultural touchstone in the changing Japanese art world. He is considered the originator and greatest practitioner of the I-novel method of comics-making. In 2005, Tsuge was nominated for the Best Album Award at Angoulême International and in 2017 won the Japan Cartoonists Association Grand Award for Yume to tabi no sekai. Tsuge passed away in early 2026.

"Powerfully strange... A gritty and humorous postwar Japan is depicted in these early works by the influential manga cartoonist." —Rachel Cooke, The Guardian"Exemplary... This fine start to a much-anticipated Tsuge retrospective series offers an elucidating glimpse into modern manga’s origins." —Publishers Weekly, Starred Review"Tsuge and Kafka use images that draw attention to the surreal uncertainty of ordinary life. In the spirit of Kafka, the mysterious endings of Tsuge’s comics often feel fable-like with their haunting final images. But in both cases, these are images that linger rather than conclude. These are fables where the sense of virtue, truth, and reality evocatively swings." —Los Angeles Review of Books"Ordinary people struggle with ideas of destiny and meaning in this collection of short stories from the early days of Garo by Yoshiharu Tsuge, all dating to the mid-1960s when he was actively developing his avant-garde and surrealist style of storytelling...one of the great creators to have come out of the mid-twentieth century."—Anime News Network"Iconic Japanese manga innovator Yoshiharu Tsuge is poised for international recognition with the publication of the first of a seven-volume series." —Shelf Awareness"Throughout the work here beautifully detailed establishing panels are used to show the setting, switching to much more simple panels to foreground the action. This excellent collection is a great introduction to Tsuge’s early career." —The Quietus"These stories showcase the poverty of postwar Japan and the bleak and enigmatic imagination of the manga master." —ArtReview Asia