Sky is Blue with a Single Cloud

Kuniko Tsurita was born in 1947 in Japan. In 1965, at age 18, while still in high school, she debuted in the legendary alt-manga monthly Garo, where she was the magazine s first and only regular female contributor until the late 1970s. Tsurita s early work reflects her interest in bohemian youth culture, while her later work became more surreal and dystopian, with influences ranging from modern French literature to the manga of her peers in Garo, including Yoshiharu Tsuge, Seiichi Hayashi, and Shigeru Mizuki, for whom she worked as an assistant for a short time in the late 60s. In 1973, Tsurita was diagnosed with lupus, at which point specters of death began to heavily shadow her work. She died in 1985 at age thirty-seven.

"A fantastic, continually surprising look at one of Japan’s most innovative—and least remembered—manga artists."—The Atlantic"Meticulously curated... The Sky Is Blue with a Single Cloud is a label-defying collection of Kuniko Tsurita's gekiga [that] explores the role of women through numerous shorts in unexpected formats."—Shelf Awareness"Tsurita gets her due in this retrospective... essential reading for fans of underground comics."—Publishers Weekly, Starred Review"The Sky Is Blue with a Single Cloud is a superb and beautiful collection, one worth repeated readings for pleasure and reflection alike. The Anglophone world owes thanks to those involved in its production that English speaking audiences will finally get to encounter Tsurita's powerfully innovative and provocative work, which resonates with meaning for manga historians and contemporary audiences alike."—Pop Matters"A long overdue and revelatory collection of masterfully crafted and deeply affecting stories."—Library Journal"Offering far more than a glimpse into Kuniko’s professional career, The Sky is Blue reflects on her satirical subversion of social and cultural ideals of femininity in an industry dominated by men."—ArtReview"Gathered together in The Sky Is Blue with a Single Cloud, [the] stylistic differences across her oeuvre are now more discernible, affirming Tsurita’s role as pioneering comic artist (no gendered qualifier needed!). At last, her short career (she died at 35) can finally be recognized in mainstream comics."—Hyperallergic