Storytelling: Critical and Creative Approaches

Linzy Brady, University of Sydney, Australia Tom Clark, Victoria University, AustraliaIan David, screenwriter, AustraliaPaul Dresher, composer and musician, USAEwan Fernie, University of Birmingham, UK Narelle Fletcher, University of Technology, Sydney, Australia Peter Goodall, University of Southern Queensland, AustraliaSally Hill, Victoria University of Wellington, New ZealandPhilippa Kelly, University of California Berkeley, USAMark Houlahan, University of Waikato, New ZealandRosemary Huisman, University of Sydney, AustraliaWiti Ihimaera, writer, New ZealandKristen Liesch, University of Auckland, New ZealandMeaghan Morris, University of Sydney, AustraliaJulia Petzl-Berney, University of Tasmania and University of New England, AustraliaRaylene Ramsay, University of Auckland, New Zealand Margaret Rogerson, University of Sydney, AustraliaIrini Savvides, writer, AustraliaL. E. Semler, University of Sydney, AustraliaJan Shaw, University of Sydney, AustraliaSue Woolfe, writer, Australia

• Acknowledgements Introduction Story Streams: Stories and their Tellers; Jan Shaw PART I: INDIGENOUS STORIES 1. The State of the Nation's Narratives; Witi Ihimaera 2. Testimonial Textures: Examining the Poetics of Non-Indigenous Stories about Reconciliation; Tom Clark and Ravi de Costa 3. Indigenous literature in the Pacific: The Question of the Didactic in Storytelling; Raylene Ramsay 4. Mother Stories: The Woman Myth in By the Bog of Cats and Tea in a China Cup; Kristen Liesch 5. (Re)telling the Story of the 1994 Tutsi Genocide in Rwanda: Une Saison de Machetes (Machete Season) by Jean Hatzfeld; Narelle Fletcher PART II: FICTIONAL HISTORY AND HISTORICAL FICTION 6. Transnational Glamour, National Allure: Community, Change and Cliché in Baz Luhrmann's Australia; Meaghan Morris 7. Writing the Story of the Wartime Occupation of the Channel Islands; Peter Goodall 8. War, Wives and Whitewash: The Zookeeper and his Aryan Animals; Julia Petzl-Berney 9. No Man's Land: A Revisionist Story of the Cyprus Problem; Irini Savvides 10. Transnational Storytelling: Visions of Italy in Two New Zealand Novels; Sarah Patricia Hill PART III: THE SEA OF STORIES 11. Shakespeare and the Sea of Stories; Mark Houlahan 12. Reading Chaucer 'in Parts': The Knight's Tale and The Two Noble Kinsmen; Margaret Rogerson 13. What Women Want: The Shrew's Story; Philippa Kelly 14. Stories of Selves and Infidels: Walter Charleton's Letter to Margaret Cavendish; L. E. Semler 15. 'Telling the story my way': Shakespearean Collaboration and Dialogism in the Secondary School Classroom; Linzy Brady 16. The Tale of Melusine in A. S. Byatt's Possession: Retelling Medieval Stories; Jan Shaw PART IV: CRITICAL CREATIVITY 17. Redcrosse: Storytelling, Nation and Religion in England; Ewan Fernie 18. Paul Auster's Storytelling in Invisible: The Pleasures of Postmodernity; Rosemary Huisman 19. Emotional Rhythm; Ian David 20. Rogues: A Speculation; Sue Woolfe 21. What Would Happen If ...? A Semi-Memoir of aSemi-Philosophical Musician and Sometime Carpenter; Paul Dresher Index