Chris Pallant is Senior Lecturer in Film Studies at Canterbury Christ Church University, UK. He is the author of Demystifying Disney: A History of Disney Feature Animation (2011), the editor of Animated Landscapes: History, Form and Function (2015), and currently serves as Vice President for the Society for Animation Studies. Steven Price is Reader in English Literature at Bangor University, UK. He is the author of A History of the Screenplay (2013) and The Screenplay: Authorship, Theory and Criticism (2010), and is currently editor of the Journal of Screenwriting.

• List of Figures Introduction 1. The Prehistory of Storyboarding 2. Storyboarding at Disney 3. William Cameron Menzies, Alice in Wonderland, and Gone with the Wind 4. Storyboarding, Spectacle and Sequence in Narrative Cinema 5. Hitchcock and Storyboarding 6. Constructing the Spielberg-Lucas-Coppola Cinema of Effects 7. Storyboarding in the Digital Age Conclusion Bibliography Filmography Index

“Storyboarding: a critical history is an important, timely and valuable contribution to a neglected field of scholarly study, not only for the selective case studies, but also for its general introduction to the field.” (Pascal Lefèvre, Historical Journal of Film, Radio and Television, Issue 1, December, 2016)

Chris Pallant is Senior Lecturer in Film Studies at Canterbury Christ Church University, UK. He is the author of Demystifying Disney: A History of Disney Feature Animation (2011), the editor of Animated Landscapes: History, Form and Function (2015), and currently serves as Vice President for the Society for Animation Studies. Steven Price is Reader in English Literature at Bangor University, UK. He is the author of A History of the Screenplay (2013) and The Screenplay: Authorship, Theory and Criticism (2010), and is currently editor of the Journal of Screenwriting.

• List of Figures Introduction 1. The Prehistory of Storyboarding 2. Storyboarding at Disney 3. William Cameron Menzies, Alice in Wonderland, and Gone with the Wind 4. Storyboarding, Spectacle and Sequence in Narrative Cinema 5. Hitchcock and Storyboarding 6. Constructing the Spielberg-Lucas-Coppola Cinema of Effects 7. Storyboarding in the Digital Age Conclusion Bibliography Filmography Index

“Storyboarding: a critical history is an important, timely and valuable contribution to a neglected field of scholarly study, not only for the selective case studies, but also for its general introduction to the field.” (Pascal Lefèvre, Historical Journal of Film, Radio and Television, Issue 1, December, 2016)

Chris Pallant is Senior Lecturer in Film Studies at Canterbury Christ Church University, UK. He is the author of Demystifying Disney: A History of Disney Feature Animation (2011), the editor of Animated Landscapes: History, Form and Function (2015), and currently serves as Vice President for the Society for Animation Studies. Steven Price is Reader in English Literature at Bangor University, UK. He is the author of A History of the Screenplay (2013) and The Screenplay: Authorship, Theory and Criticism (2010), and is currently editor of the Journal of Screenwriting.

• List of Figures Introduction 1. The Prehistory of Storyboarding 2. Storyboarding at Disney 3. William Cameron Menzies, Alice in Wonderland, and Gone with the Wind 4. Storyboarding, Spectacle and Sequence in Narrative Cinema 5. Hitchcock and Storyboarding 6. Constructing the Spielberg-Lucas-Coppola Cinema of Effects 7. Storyboarding in the Digital Age Conclusion Bibliography Filmography Index

“Storyboarding: a critical history is an important, timely and valuable contribution to a neglected field of scholarly study, not only for the selective case studies, but also for its general introduction to the field.” (Pascal Lefèvre, Historical Journal of Film, Radio and Television, Issue 1, December, 2016)