Staging International Feminisms

FAWZIA AFZAL-KHAN is Professor at Montclair State University, New Jersey, USACHARLOTTE CANNING is Professor of Theatre and Dance at the University of Texas at Austin, USAELIN DIAMOND is Professor of English at Rutgers University, USAJILL DOLAN holds the Zachary T. Scott Family Chair in Drama in the Department of Theatre and Dance at the University of Texas at Austin, USABISHNUPRIYA DUTT is Associate Professor in the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi, IndiaYAEL FEILER teaches at the Department of Theatre Studies, University of Stockholm, SwedenROBERTA GANDOLFI teaches theories and practices of directing at the University of Ferrara, ItalyNOELIA HERNANDO-REAL teaches English and American Literature at La Salle College in Madrid, SpainJULIE HOLLEDGE is Professor of Drama and Director of the Flinders University Drama Centre, AustraliaISABEL JUÁREZ ESPINOSA is co- founder of FOMMA (Fortaleza de la Mujer Maya or the Empowerment of Mayan Women), the Mayan Indian women's centre in San Cristóbal de las Casas, Chiapas, MexicoASHA PANDE is Head of the Department of Modern European Languages at the University of Rajasthan, Jaipur, IndiaTIINA ROSENERG is Professor in Gender Studies at Lund University, SwedenELIZABETH SAKELLARIDOU is Professor of Theatre Studies in the Department of English, Aristotle University, Thessaloniki, GreeceIRENE SALAMI is Associate Professor at the University of Jos, Nigeria, AfricaPEGGY SHAW is anactor, writer and producerJUNG-SOON SHIM is Professor in the English Department, Soongsil University in Seoul, KoreaKAREN SHIMAKAWA is an Associate Professor of Performance Studies at New York University, USAKATRIN SIEG is Associate Professor affiliated with the BMW Centre for German and European Studies and the German department at Georgetown University, USADIANA TAYLOR is Professor of Performance Studies and Spanish at New York University, USALOIS WEAVER lectures in Contemporary Performance at Queen Mary University of London, UK

• List of Illustrations Series Preface Notes on Contributors Introduction; E.Aston & S-E.Case PART ONE: CARTOGRAPHIES Bloody Aprons: Suzan-Lori Parks, Deborah Warner and Feminist Performance in the Age of Globalization; E.Diamond Mind Yourself: On Soundwalking, Race and Gender; K.Shimakawa Globalizing Neoliberalism, Travelling Feminisms: Pollesch@Prater; K.Sieg The Queer Globe Itself; S-E.Case PART TWO: INTERVENTIONS Actress Stories: Binodini and Amal Allana; B.Dutt Stockholm Interventions: Feminist Activist Performance; T.Rosenberg Women's Writing for Performance Project: 'Making' a Feminist Intervention; E.Aston Reconstructing a Diasporic Female Self in O Kyong-Sook's Dictee - A Speaking Woman ; J-S.Shim Giving Back to Judith: Laura Curino's Una stanza tutta per me/ A Room of My Own ; R.Gandolfi Anticipating Globalization: Rosamond Gilder and the International Theatre Institute; C.Canning Exile and the Elusive Qualities of Time; J.Holledge Cultural Memory in El Séptimo Cielo : An International Staging of Caryl Churchill's Cloud Nine ; N.Hernando-Real Stretching Medea to Postmodern Sensibilities; E.Sakellaridou A Journey Towards Sensitisation and Empowerment: Feminist Performance and Intervention Theatre in the City of Jaipur; A.Pande The Demon's Nuns: Petrona de la Cruz Cruz and Isabel Juárez Espinosa (Mexico); D.Taylor PART THREE: MANIFESTOS Reflection on the work that is being done within FOMMA with respect to women, gender and patriarchy, change, new generations and new technologies; I.J.Espinosa MAKE SOMETHING: a manifesto for making performance about making change; L.Weaver & P.Shaw Pakistani Muslim Theatre at Home and Abroad: A Critical Manifesto for a Feminist Home-Coming; F.Afzal-Khan Reflections on My Literary Performance Theatre: A Manifesto for Nigerian Women; I.I.Salami-Agunloye A Manifesto for an Israeli She Monster; Y.Feiler Feminist Performance and Utopia: A Manifesto; J.Dolan Bibliography

'One of the achievements of Staging International Feminisms is its impressive encapsulation of the potential of theatre...the articles in this very useful collection are well written, and are persuasively and passionately argued...collectively, the chapters bring a richness of experience and theory to each analysis...Staging International Feminisms is an excellent compendium of twenty-first century international feminisms in a broad context of performance. Its range of performance contexts locates multiple interpretations of feminism, but throughout, it offers theoretically sophisticated arguments and practical, community - based work that look towards a better future.' Joanne Tompkins, University of Queensland, Contemporary Theatre Review