Studies in International Performance – serie

Dancing Communities

Performance, Difference and Connection in the Global City

Performance and Cosmopolitics

Cross-Cultural Transactions in Australasia

Theatre, Facilitation, and Nation Formation in the Balkans and Middle East

Theatre and Event

Staging the European Century

Community Theatre and AIDS

Worlding Dance

Contemporary Street Arts in Europe

Aesthetics and Politics

Dramaturgy of the Real on the World Stage

Performing Exile, Performing Self

Drama, Theatre, Film

Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre

Performing Otherness

Java and Bali on International Stages, 1905-1952

On the Performance Front

US Theatre and Internationalism

Performance and Cosmopolitics

Cross-Cultural Transactions in Australasia

Theatre, Intimacy & Engagement

The Last Human Venue

Rise of Performance Studies

Rethinking Richard Schechner's Broad Spectrum

Alternative Chinese Opera in the Age of Globalization

Performing Zero

Performance in the Blockades of Neoliberalism

Thinking the Political Anew

Neoliberalism and Global Theatres

Performance Permutations

Contemporary Indian Dance

New Creative Choreography in India and the Diaspora

Performance, Politics and Activism

Theatres of Morocco, Algeria and Tunisia

Performance Traditions of the Maghreb

Theatre of the Real

Performance, Space, Utopia

Cities of War, Cities of Exile

Performing European Memories

Trauma, Ethics, Politics

Worlding Dance

Violence Performed

Local Roots and Global Routes of Conflict

Performing the 'New' Europe

Identities, Feelings and Politics in the Eurovision Song Contest

Dancing Communities

Performance, Difference and Connection in the Global City

Royal Court: International