Peter Gillgren is Anders Zorn Professor of Art History at Stockholm University, Sweden.

• Contents: Preface; Introduction: hermeneutical premises; The performative gaze; Aesthetic communication; The Barocci discourse; Part I Towards a Poetics of the Gaze: The pleasure of mimesis; The importance of the site; Positioning the spectator's gaze; Interior communication and relationships; The implicit spectator; Vacancies and fragments; Intersubjectivity. Part II The Art of Federico Barocci: Early works; The casino of Pius IV; Drama and allegory; Lyric and dialogue; Mixed genre works; The Visitation; Fragments of classicism; An oblique crucifixion; The eucharist in Urbino and in Rome; Meditations; Last works. Part III Catalogue of Paintings by Federico Barocci. Bibliography; Index.

'The book's focus is the construction of meaning in Barocci's paintings through spectators' dialogic interactions with them. Gillgren uses Barocci's body of paintings as a case study for the application of his interpretive method, which draws heavily upon semiotics and reception aesthetics. Gillgrens book ostensibly aims to elaborate a "Renaissance aesthetic;' something akin to Michael Baxandall's "period eye, yet its title promises to deepen the reader's understanding of Barocci.' Sixteenth Century Journal

Peter Gillgren is Anders Zorn Professor of Art History at Stockholm University, Sweden.

• Contents: Preface; Introduction: hermeneutical premises; The performative gaze; Aesthetic communication; The Barocci discourse; Part I Towards a Poetics of the Gaze: The pleasure of mimesis; The importance of the site; Positioning the spectator's gaze; Interior communication and relationships; The implicit spectator; Vacancies and fragments; Intersubjectivity. Part II The Art of Federico Barocci: Early works; The casino of Pius IV; Drama and allegory; Lyric and dialogue; Mixed genre works; The Visitation; Fragments of classicism; An oblique crucifixion; The eucharist in Urbino and in Rome; Meditations; Last works. Part III Catalogue of Paintings by Federico Barocci. Bibliography; Index.

'The book's focus is the construction of meaning in Barocci's paintings through spectators' dialogic interactions with them. Gillgren uses Barocci's body of paintings as a case study for the application of his interpretive method, which draws heavily upon semiotics and reception aesthetics. Gillgrens book ostensibly aims to elaborate a "Renaissance aesthetic;' something akin to Michael Baxandall's "period eye, yet its title promises to deepen the reader's understanding of Barocci.' Sixteenth Century Journal

Peter Gillgren is Anders Zorn Professor of Art History at Stockholm University, Sweden.

• Contents: Preface; Introduction: hermeneutical premises; The performative gaze; Aesthetic communication; The Barocci discourse; Part I Towards a Poetics of the Gaze: The pleasure of mimesis; The importance of the site; Positioning the spectator's gaze; Interior communication and relationships; The implicit spectator; Vacancies and fragments; Intersubjectivity. Part II The Art of Federico Barocci: Early works; The casino of Pius IV; Drama and allegory; Lyric and dialogue; Mixed genre works; The Visitation; Fragments of classicism; An oblique crucifixion; The eucharist in Urbino and in Rome; Meditations; Last works. Part III Catalogue of Paintings by Federico Barocci. Bibliography; Index.

'The book's focus is the construction of meaning in Barocci's paintings through spectators' dialogic interactions with them. Gillgren uses Barocci's body of paintings as a case study for the application of his interpretive method, which draws heavily upon semiotics and reception aesthetics. Gillgrens book ostensibly aims to elaborate a "Renaissance aesthetic;' something akin to Michael Baxandall's "period eye, yet its title promises to deepen the reader's understanding of Barocci.' Sixteenth Century Journal