Visual Culture in Early Modernity – serie

Sebastiano del Piombo and the World of Spanish Rome

Cults of Raphael and Michelangelo

Artistic Sainthood and Memorials as a Second Life

Procaccini and the Business of Painting in Early Modern Milan

Federico Barocci

Inspiration and Innovation in Early Modern Italy

Knowledge and Discernment in the Early Modern Arts

Rubens and the Eloquence of Drawing

Early Modern Merchants as Collectors

Renaissance Porticoes and Painted Pergolas

Nature and Culture in Early Modern Italy

Visual Culture and Mathematics in the Early Modern Period

Realism of Piero della Francesca

Hybridity in Early Modern Art

Making and Moving Sculpture in Early Modern Italy

Thresholds and Boundaries

Liminality in Netherlandish Art (1385-1530)

Images of Sex and Desire in Renaissance Art and Modern Historiography

Ethics of Ornament in Early Modern Naples

Fashioning the Certosa di San Martino

Gendered Perceptions of Florentine Last Supper Frescoes, c. 1350–1490

Apostolic Iconography and Florentine Confraternities in the Age of Reform

Vincenzo Scamozzi and the Chorography of Early Modern Architecture

Leon Battista Alberti and Nicholas Cusanus

Towards an Epistemology of Vision for Italian Renaissance Art and Culture

Polychrome Art in the Early Modern World

1200–1800

Antonello da Messina and the History of Art

Antonello da Messina and the History of Art

Art and Reform in the Late Renaissance

After Trent

Imaging Stuart Family Politics

Dynastic Crisis and Continuity

Cristos yacentes of Gregorio Fernández

Polychrome Sculptures of the Supine Christ in Seventeenth-Century Spain

Procaccini and the Business of Painting in Early Modern Milan

Influence of Italian Culture on the Sevillian Golden Age of Painting

Influence of Italian Culture on the Sevillian Golden Age of Painting

Patron Family Between Renaissance Florence, Rome, and Naples

The Del Riccio in the Shadow of Michelangelo