Shakespeare on Film

Contemporary Critical Essays

Häftad, Engelska, 1998

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This collection of contemporary criticism highlights the extent to which recent discussion of Shakespeare on film has drawn upon the theoretical perspectives of Marxism, feminism, psychoanalysis and post-structuralism, generating a radical reappraisal of a Shakespearean cinema which has itself experienced a revival in the last decade. Ranging widely across the canon of Shakespeare films, from Max Reinhardt's A Midsummer Night's Dream to Peter Greenaway's Prospero's Books, the essays address the cultural politics of film adaptation from a variety of angles, offering readings of individual films -Hamlet, Henry V, The Tempest - but also raising larger questions about the nature, purpose and future direction of Shakespearean cinema.

Produktinformation

Utgivningsdatum1998-08-24
Mått140 x 216 x 12 mm
Vikt263 g
FormatHäftad
SpråkEngelska
SerieNew Casebooks
Antal sidor206
FörlagBloomsbury Publishing PLC
ISBN9780333720172

Tillhör följande kategorier

Scenkonst och film inom Kultur
Film inom Kultur
Litteraturteori inom Skonlitteratur
Litteraturvetenskap inom Skonlitteratur
Kulturvetenskap inom Samhalle och politik

AcknowledgementsGeneral Editor's PrefaceIntroduction; R.ShaughnessyRealising Shakespeare on Film; J.J.JorgensLaurence Olivier's Henry V; A.DaviesShakespeare and Film: A Question of Perspective; C.BelseyRadical Potentiality and Institutional Closure; G.HoldernessSymbolism in Shakespeare Film; J.CollickOlivier, Hamlet and Freud; P.S.DonaldsonBranagh and the Prince, or a 'royal fellowship of death'; C.BreightA Post-National European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II; C.MacCabeKatherina Bound; or Play(K)ating the Strictures of Everyday Life; B.HodgdonDrowning the Book: Prospero's Books and the Textual Shakespeare; D.LanierFurther ReadingNotes on ContributorsIndex.

'Excellent anthology of many hard to find articles.' - Dr Midel J. Koven, University of Wales, Aberystwyth 'One of the strongest aspects of the book is its cohesive structure. Though each essay has been printed elsewhere in separate sources, together they make up a narrative that begins in the realm of 'traditional' criticism and progresses to contemporary theories and issues...this collection documents the status of the discipline at the time of its publication and will likely become one of the important works in the field.' - Jeff W. Marker, Shakespeare Bulletin 'Robert Shaughnessy handles the broad spectrum of critical approaches adroitly, so that the essays actually build on each other and reflect the divided schools of thought.' - Nicholas Waywell, Times Literary Supplement 'An admirable introduction to Shakespeare on film.' - Peter Heaney, Staffordshire University