Vincent P. Pecora is the Gordon B. Hinckley Professor of British Literature and Culture at the University of Utah. He is the author of a number of books, including Secularization and Cultural Criticism: Religion, Nation, and Modernity.

"Among the most provocative of the questions Pecora explores is this: In what ways has secularization promoted a return to supposedly discarded theologies? While Pecora is interested in the broader and more commonly studied issue of the demise of the secularization thesis, he moves beyond explanations of how religious (primarily Christian) commitments persist in supposedly secular societies to the question of how secularization might have actually served as a causal factor in the renewal of religious thoughts and sentiment." —Fides et Historia"Pecora is at his best when revising the big picture and moving through a complex philosophical and literary-critical heritage. . . . Secularization without End is a book that is designed to alter paradigms, and whether or not Pecora's readers come away convinced of all of his claims, he has written an important and even necessary study that should continue to alter the way we read modern fiction for years to come." —Modern Language Review"This is one of the finest exercises in literature and theology that I have encountered for a long time. Its challenge to the reader lies in its profound grasp of theology and its philosophical implications, while at the same time pursuing complex literary discussions of the nature of writing and narrative after Roland Barthes' Writing Degree Zero." —Literature and Theology"In Secularization without End, Pecora continues the provocative exploration of the secularization phenomenon that he began in Secularization and Cultural Criticism (2006). His subject is modernism's tendency to replace religious categories of thought and experience with those of a secular philosophical ethics and epistemology." —Choice "Vincent P. Pecora's new study offers a most welcome corrective to the still widely accepted notion that the European novel had 'come to supplant the history of religion as the basis of our moral sensibility.' Compact, accessible, and full of engaging and trenchant commentary, Secularization without End provides a valuable resource not just for specialists but for undergraduates studying the modern novel and trying to develop a nuanced and capacious understanding of the complex relationship between literature and religion." —Thomas Pfau, author of Minding the Modern: Human Agency, Intellectual Traditions, and Responsible Knowledge"A must read. After Vincent P. Pecora's Secularization without End, modernism won't be the same. On the back of his innovative understanding of secularization as interminable, Pecora shows that his authors—Beckett, Mann, and Coetzee—are saturated in a bleak Christianity that they can't overcome. I can think of few recent books of literary criticism from which I have learnt more." —Simon During, University of Queensland"Secularization without End is a well-argued and provocative exploration of the modern novel grounded in a compelling set of theological reflections. Vincent P. Pecora discusses primarily Samuel Beckett's trilogy (1950), Thomas Mann's Dr. Faustus (1947), and various novels by J. M. Coetzee from the late twentieth and early twenty-first century. This is not just a set of three individual-author essays; it is about an alternative history of the novel that challenges the paradigms that have prevailed from Watt to Moretti." —Russell Berman, Walter A. Haas Professor in the Humanities, Stanford University

Vincent P. Pecora is the Gordon B. Hinckley Professor of British Literature and Culture at the University of Utah. He is the author of a number of books, including Secularization and Cultural Criticism: Religion, Nation, and Modernity.

"Among the most provocative of the questions Pecora explores is this: In what ways has secularization promoted a return to supposedly discarded theologies? While Pecora is interested in the broader and more commonly studied issue of the demise of the secularization thesis, he moves beyond explanations of how religious (primarily Christian) commitments persist in supposedly secular societies to the question of how secularization might have actually served as a causal factor in the renewal of religious thoughts and sentiment." —Fides et Historia"Pecora is at his best when revising the big picture and moving through a complex philosophical and literary-critical heritage. . . . Secularization without End is a book that is designed to alter paradigms, and whether or not Pecora's readers come away convinced of all of his claims, he has written an important and even necessary study that should continue to alter the way we read modern fiction for years to come." —Modern Language Review"This is one of the finest exercises in literature and theology that I have encountered for a long time. Its challenge to the reader lies in its profound grasp of theology and its philosophical implications, while at the same time pursuing complex literary discussions of the nature of writing and narrative after Roland Barthes' Writing Degree Zero." —Literature and Theology"In Secularization without End, Pecora continues the provocative exploration of the secularization phenomenon that he began in Secularization and Cultural Criticism (2006). His subject is modernism's tendency to replace religious categories of thought and experience with those of a secular philosophical ethics and epistemology." —Choice "Vincent P. Pecora's new study offers a most welcome corrective to the still widely accepted notion that the European novel had 'come to supplant the history of religion as the basis of our moral sensibility.' Compact, accessible, and full of engaging and trenchant commentary, Secularization without End provides a valuable resource not just for specialists but for undergraduates studying the modern novel and trying to develop a nuanced and capacious understanding of the complex relationship between literature and religion." —Thomas Pfau, author of Minding the Modern: Human Agency, Intellectual Traditions, and Responsible Knowledge"A must read. After Vincent P. Pecora's Secularization without End, modernism won't be the same. On the back of his innovative understanding of secularization as interminable, Pecora shows that his authors—Beckett, Mann, and Coetzee—are saturated in a bleak Christianity that they can't overcome. I can think of few recent books of literary criticism from which I have learnt more." —Simon During, University of Queensland"Secularization without End is a well-argued and provocative exploration of the modern novel grounded in a compelling set of theological reflections. Vincent P. Pecora discusses primarily Samuel Beckett's trilogy (1950), Thomas Mann's Dr. Faustus (1947), and various novels by J. M. Coetzee from the late twentieth and early twenty-first century. This is not just a set of three individual-author essays; it is about an alternative history of the novel that challenges the paradigms that have prevailed from Watt to Moretti." —Russell Berman, Walter A. Haas Professor in the Humanities, Stanford University

Vincent P. Pecora is the Gordon B. Hinckley Professor of British Literature and Culture at the University of Utah. He is the author of a number of books, including Secularization and Cultural Criticism: Religion, Nation, and Modernity.

"Among the most provocative of the questions Pecora explores is this: In what ways has secularization promoted a return to supposedly discarded theologies? While Pecora is interested in the broader and more commonly studied issue of the demise of the secularization thesis, he moves beyond explanations of how religious (primarily Christian) commitments persist in supposedly secular societies to the question of how secularization might have actually served as a causal factor in the renewal of religious thoughts and sentiment." —Fides et Historia"Pecora is at his best when revising the big picture and moving through a complex philosophical and literary-critical heritage. . . . Secularization without End is a book that is designed to alter paradigms, and whether or not Pecora's readers come away convinced of all of his claims, he has written an important and even necessary study that should continue to alter the way we read modern fiction for years to come." —Modern Language Review"This is one of the finest exercises in literature and theology that I have encountered for a long time. Its challenge to the reader lies in its profound grasp of theology and its philosophical implications, while at the same time pursuing complex literary discussions of the nature of writing and narrative after Roland Barthes' Writing Degree Zero." —Literature and Theology"In Secularization without End, Pecora continues the provocative exploration of the secularization phenomenon that he began in Secularization and Cultural Criticism (2006). His subject is modernism's tendency to replace religious categories of thought and experience with those of a secular philosophical ethics and epistemology." —Choice "Vincent P. Pecora's new study offers a most welcome corrective to the still widely accepted notion that the European novel had 'come to supplant the history of religion as the basis of our moral sensibility.' Compact, accessible, and full of engaging and trenchant commentary, Secularization without End provides a valuable resource not just for specialists but for undergraduates studying the modern novel and trying to develop a nuanced and capacious understanding of the complex relationship between literature and religion." —Thomas Pfau, author of Minding the Modern: Human Agency, Intellectual Traditions, and Responsible Knowledge"A must read. After Vincent P. Pecora's Secularization without End, modernism won't be the same. On the back of his innovative understanding of secularization as interminable, Pecora shows that his authors—Beckett, Mann, and Coetzee—are saturated in a bleak Christianity that they can't overcome. I can think of few recent books of literary criticism from which I have learnt more." —Simon During, University of Queensland"Secularization without End is a well-argued and provocative exploration of the modern novel grounded in a compelling set of theological reflections. Vincent P. Pecora discusses primarily Samuel Beckett's trilogy (1950), Thomas Mann's Dr. Faustus (1947), and various novels by J. M. Coetzee from the late twentieth and early twenty-first century. This is not just a set of three individual-author essays; it is about an alternative history of the novel that challenges the paradigms that have prevailed from Watt to Moretti." —Russell Berman, Walter A. Haas Professor in the Humanities, Stanford University