Scientific Instruments on Display

Silke Ackermann is Director of the Museum of the History of Science in Oxford and President of the Scientific Instrument Commission of the IUHPS. She is particularly interested in the transfer of knowledge between the Islamic World and Europe. Richard L. Kremer is Associate Professor of History at Dartmouth College in Hanover, New Hampshire. He has published widely on the history of early modern astronomy and on the use, production of and trade in scientific instruments. Mara Miniati is Emeritus Curator of the Museo Galileo in Florence. She is interested in Renaissance scientific instruments and in the history of the scientific institutions.

• List of Illustrations Notes on Contributors IntroductionSilke Ackermann, Richard L. Kremer and Mara Miniati Colour Plates 1. Andrea Corsini and the Creation of the Museum of the History of Science in Florence (1930-1961) Marco Beretta 2. “Not for their beauty”: Instruments and narratives at the Science Museum, London Alyson Boyle 3. “More Artistic than Scientific”: Exhibiting Instruments as Decorative Arts in the Victoria & Albert Museum Richard Dunn 4. “Of sufficient interest …, but not of such value …”: 260 Years of Displaying Scientific Instruments in the British Museum Silke Ackermann 5. Instruments on Display at the Paris Observatory Laurence Bobis and Suzanne Débarbat 6. Looking at Scientific Instruments on Display at the United States Centennial Exhibition of 1876 Richard L. Kremer 7. Permanent Demonstrations: The Science Teaching Museum at the University of Chicago Steven C. Turner 8. The Display of Twentieth-Century Instruments at Humboldt State University Richard A. Paselk 9. Slide Rules on Display in the United States, 1840-2010 Peggy Aldrich Kidwell and Amy Ackerberg-Hastings 10. “Exceedingly Ridiculous”: Telescopes on Displayon the Seventeenth-Century Stage Ingrid Jendrzejewski 11. Instruments on Movie Sets: A Case Study Ileana Chinnici, Donatella Randazzo and Fausto Casi 12. Display of Instruments on Seventeenth Century Astronomical Frontispieces Inga Elmqvist Söderlund General Index

"Several papers in this volume present excruciating details concerning the struggles that various people have faced when trying to get historic scientific instruments onto exhibit and keeping them there. Seldom, however, do they grapple with the question of why anyone, other than the odd collector, curator or historian of technology, should want to look at these instruments." - At: http://www.erittenhouse.org/reviews/, by Deborah Jean Warner, curator at the Smithsonian Institution, National Museum of American History, Washington and the founding editor of Rittenhouse, the forerunner of eRittenhouse.“The book […] can be put to use by scholars interested in the history of science, scientific instruments, material culture, museums and the history of science in public. It joins a growing literature that reveals a desire to bring such studies together for their mutual benefit.”- Rebekah Higgit (University of Kent), The British Journal for the History of Science, 2015, 697-699 pp.