Susanne M. Cadera is a Professor of Translation Studies (German, Spanish, English) at Comillas University in Madrid. She obtained her PhD at the University of Cologne (Germany) in 2001. She has participated in several research projects in literary translation, her main area of publication. Andrew Samuel Walsh is an Associate Professor of Translation Studies at Comillas University Madrid and holds a a PhD in Spanish Philology from the University of Granada (Spain). His most recent book is Lorca in English. A History of Manipulation through Translation (2020).

• List of Tables and Figures1 Retranslation and Reception – a Theoretical OverviewSusanne M. Cadera and Andrew Samuel WalshPart 1: Literary Canon and Retranslation2 Non-retranslation as a Special Case of (Non?-)ReceptionPiet Van Poucke3 Retranslation and Online Reader Response: Le Petit Prince in Turkey in the Twenty-First CenturyŞehnaz Tahir Gürçağlar4 Canonical Translation and Retranslation. The Example of Franz Kafka’s Metamorphosis in SpainSusanne M. Cadera5 Hendrik Conscience’s The Poor Gentleman and Its Italian RetranslationsRoberto DagninoPart 2: (Re)translation and (Self-) Censorship6 Translation and Self-Censorship in Gerald Brenan’s The Face of SpainAndrew Samuel Walsh7 (Re) Translating Goethe into CatalanMontserrat Franquesa Gòdia8 (Re)translation of Sex-Related Language in the Spanish Versions of J’irai cracher sur vos tombes by Boris VianXavier BocquierPart 3: Rewriting, Reprinting and Retranslation9 Dopo il divorzio by Grazia Deledda: Reception, Rewriting, RetranslationHelena Lozano Miralles10 Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s Fuente Ovejuna for the British StageJorge Braga Riera11 Retranslations and Their Reception in ContextAdrienn Gulyás12 The Reception of La coscienza di Zeno (Italo Svevo) in the Spanish Versions of Carlos Manzano (1981–2012). Between Revision and RetranslationJosé Luis AjaPart 4: Retitling in Retranslation13 Good-for-Nothing, Idler or Vagabond? The Spanish Fortunes of Aus dem Leben eines Taugenichts by Joseph von EichendorffAndrea Schäpers14 Retranslation of Mario Vargas Llosa’s Bildungsroman La tía Julia y el escribidor: Relaunching and Retitling as a Case in PointClaudia Cabezón DotyPart 5: Modernizing Retranslations15 Translating and Retranslating Lobo Antunes: On Both of the English Renditions of Os Cus de JudasMarisa Mourinha16 Characterizing Daisy Buchanan in Retranslations of The Great Gatsby: Translator Behavior and Reader ReceptionKatinka Zeven and Aletta G. DorstIndex

Susanne M. Cadera is a Professor of Translation Studies (German, Spanish, English) at Comillas University in Madrid. She obtained her PhD at the University of Cologne (Germany) in 2001. She has participated in several research projects in literary translation, her main area of publication. Andrew Samuel Walsh is an Associate Professor of Translation Studies at Comillas University Madrid and holds a a PhD in Spanish Philology from the University of Granada (Spain). His most recent book is Lorca in English. A History of Manipulation through Translation (2020).

• List of Tables and Figures1 Retranslation and Reception – a Theoretical OverviewSusanne M. Cadera and Andrew Samuel WalshPart 1: Literary Canon and Retranslation2 Non-retranslation as a Special Case of (Non?-)ReceptionPiet Van Poucke3 Retranslation and Online Reader Response: Le Petit Prince in Turkey in the Twenty-First CenturyŞehnaz Tahir Gürçağlar4 Canonical Translation and Retranslation. The Example of Franz Kafka’s Metamorphosis in SpainSusanne M. Cadera5 Hendrik Conscience’s The Poor Gentleman and Its Italian RetranslationsRoberto DagninoPart 2: (Re)translation and (Self-) Censorship6 Translation and Self-Censorship in Gerald Brenan’s The Face of SpainAndrew Samuel Walsh7 (Re) Translating Goethe into CatalanMontserrat Franquesa Gòdia8 (Re)translation of Sex-Related Language in the Spanish Versions of J’irai cracher sur vos tombes by Boris VianXavier BocquierPart 3: Rewriting, Reprinting and Retranslation9 Dopo il divorzio by Grazia Deledda: Reception, Rewriting, RetranslationHelena Lozano Miralles10 Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s Fuente Ovejuna for the British StageJorge Braga Riera11 Retranslations and Their Reception in ContextAdrienn Gulyás12 The Reception of La coscienza di Zeno (Italo Svevo) in the Spanish Versions of Carlos Manzano (1981–2012). Between Revision and RetranslationJosé Luis AjaPart 4: Retitling in Retranslation13 Good-for-Nothing, Idler or Vagabond? The Spanish Fortunes of Aus dem Leben eines Taugenichts by Joseph von EichendorffAndrea Schäpers14 Retranslation of Mario Vargas Llosa’s Bildungsroman La tía Julia y el escribidor: Relaunching and Retitling as a Case in PointClaudia Cabezón DotyPart 5: Modernizing Retranslations15 Translating and Retranslating Lobo Antunes: On Both of the English Renditions of Os Cus de JudasMarisa Mourinha16 Characterizing Daisy Buchanan in Retranslations of The Great Gatsby: Translator Behavior and Reader ReceptionKatinka Zeven and Aletta G. DorstIndex

Susanne M. Cadera is a Professor of Translation Studies (German, Spanish, English) at Comillas University in Madrid. She obtained her PhD at the University of Cologne (Germany) in 2001. She has participated in several research projects in literary translation, her main area of publication. Andrew Samuel Walsh is an Associate Professor of Translation Studies at Comillas University Madrid and holds a a PhD in Spanish Philology from the University of Granada (Spain). His most recent book is Lorca in English. A History of Manipulation through Translation (2020).

• List of Tables and Figures1 Retranslation and Reception – a Theoretical OverviewSusanne M. Cadera and Andrew Samuel WalshPart 1: Literary Canon and Retranslation2 Non-retranslation as a Special Case of (Non?-)ReceptionPiet Van Poucke3 Retranslation and Online Reader Response: Le Petit Prince in Turkey in the Twenty-First CenturyŞehnaz Tahir Gürçağlar4 Canonical Translation and Retranslation. The Example of Franz Kafka’s Metamorphosis in SpainSusanne M. Cadera5 Hendrik Conscience’s The Poor Gentleman and Its Italian RetranslationsRoberto DagninoPart 2: (Re)translation and (Self-) Censorship6 Translation and Self-Censorship in Gerald Brenan’s The Face of SpainAndrew Samuel Walsh7 (Re) Translating Goethe into CatalanMontserrat Franquesa Gòdia8 (Re)translation of Sex-Related Language in the Spanish Versions of J’irai cracher sur vos tombes by Boris VianXavier BocquierPart 3: Rewriting, Reprinting and Retranslation9 Dopo il divorzio by Grazia Deledda: Reception, Rewriting, RetranslationHelena Lozano Miralles10 Drama Retranslation in Distinct Socio-Political Contexts: Accommodating Lope De Vega’s Fuente Ovejuna for the British StageJorge Braga Riera11 Retranslations and Their Reception in ContextAdrienn Gulyás12 The Reception of La coscienza di Zeno (Italo Svevo) in the Spanish Versions of Carlos Manzano (1981–2012). Between Revision and RetranslationJosé Luis AjaPart 4: Retitling in Retranslation13 Good-for-Nothing, Idler or Vagabond? The Spanish Fortunes of Aus dem Leben eines Taugenichts by Joseph von EichendorffAndrea Schäpers14 Retranslation of Mario Vargas Llosa’s Bildungsroman La tía Julia y el escribidor: Relaunching and Retitling as a Case in PointClaudia Cabezón DotyPart 5: Modernizing Retranslations15 Translating and Retranslating Lobo Antunes: On Both of the English Renditions of Os Cus de JudasMarisa Mourinha16 Characterizing Daisy Buchanan in Retranslations of The Great Gatsby: Translator Behavior and Reader ReceptionKatinka Zeven and Aletta G. DorstIndex