Del i serien World Cinema

Realism in Greek Cinema

From the Post-War Period to the Present

Inbunden, Engelska, 2016

AvVrasidas Karalis,Lúcia Nagib

2 369 kr

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The history of Greek cinema post-1945 is best understood through the stories of its most internationally celebrated and influential directors. Focusing on the works of six major filmmakers active from just after WWII to the present day, with added consideration of many others, this book examines the development of cinema as an art form in the social and political contexts of Greece. Insights on gender in film, minority cinemas, stylistic richness and the representation of historical trauma are afforded by close readings of the work and life of such luminaries as Michael Cacoyannis, Nikos Koundouros, Yannis Dalianidis, Theo Angelopoulos, Antouanetta Angelidi, Yorgos Lanthimos, Athena-Rachel Tsangari and Costas Zapas. Throughout, the book examines how directors visually transmute reality to represent unstable societies, disrupted collective memories and national identity.

Produktinformation

Utgivningsdatum2016-12-16
Mått156 x 234 x 28 mm
Vikt610 g
FormatInbunden
SpråkEngelska
SerieWorld Cinema
Antal sidor304
FörlagBloomsbury Publishing PLC
ISBN9781780767291

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Film inom Kultur

Vrasidas Karalis is Sir Nicholas Laurantus Professor and Chair of Department for Modern Greek at the University of Sydney, Australia. He has published extensively on Greek political life, Greek cinema, European cinema, Byzantine historiography and contemporary political philosophy. Most recently, he has authored A History of Greek Cinema (2012) and co-edited collections on Hannah Arendt and Antigone Kefala.

INTRODUCTION TO THE POST-WAR GREEK CINEMA 1945-2012 CHAPTER ONEThe Construction and Deconstruction of Cinematic Realism in Michael Cacoyannis’s FilmsCHAPTER TWONikos Koundouros and the cinema of anarchist realismCHAPTER THREEYannis Dalianidis and the Cryptonymies of VisualityCHAPTER FOURAn introduction to the Ocular Poetics of Theo AngelopoulosCHAPTER FIVEThe Feminine Gaze in Antoinetta Angelidi’s Cinema of Imaginative CathedralsCHAPTER SIXThe No-Wave Greek cinema of TransgressionOPTIMISTIC EPILOGUE