• Analytical Raman Spectroscopy of Inks;Raman Spectroscopic Analysis of Romano-British Wall Paintings: A Comparison Between Geographically Different Sites at the Northern Fringe of the Roman Empire;Evidence of Pentimenti for the Authentication of Paintings: A Challenge for Analytical Science at the Interface with Art History;Dancing on Eggshells: A Holistic Analytical Study of a Ballet Dancer on Regency Porcelain;Pigments and Colourants;Micro Raman Spectroscopy of Epipalaeolithic Decorated Pebbles from Arroyo Moreras 2 (Parque Darwin, Madrid);Raman Microscopy as a Primary Technique for Identifying Micro-residues Related to Tool-use on Prehistoric Stone Artefacts;Biological Materials of Significance to Cultural Heritage;Discrimination of Contraband Ivories Using Long Wavelength Portable Raman Instrumentation;Micro-Raman and Provenance Studies: The Case of Levantine Ceramics;Raman Spectroscopy for the Identification of Materials in Contemporary Painting;Application of Micro-spatially Offset Raman Spectroscopy to Street Art Paintings;Raman Spectroscopy as a Cultural Heritage Forensic Tool;Outdoor Bronze and Its Protection;Analysis of the Degradation of Medieval Mural Paintings in the Open Air Abandoned Church of Ribera, North of Spain;Miniaturized Raman Spectrometers Applied to Gemstone Analyses on Works of Art;New Case Studies: Diamonds, Jades, Corundum and Spinel;The Cultural Meanings of Color: Raman Spectroscopic Studies of Red, Pink, and Purple Dyes in Late Edo and Early Meiji Period Prints;Raman Spectroscopy Applied to the Analysis of Typomorphic Minerals in Various Provenance Investigations of Cultural Heritage Objects;Pitfalls in Raman Spectroscopy Applied to Art and Archaeology: A Practical Survival Guide for Non-specialists;Subject Index

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• Analytical Raman Spectroscopy of Inks;Raman Spectroscopic Analysis of Romano-British Wall Paintings: A Comparison Between Geographically Different Sites at the Northern Fringe of the Roman Empire;Evidence of Pentimenti for the Authentication of Paintings: A Challenge for Analytical Science at the Interface with Art History;Dancing on Eggshells: A Holistic Analytical Study of a Ballet Dancer on Regency Porcelain;Pigments and Colourants;Micro Raman Spectroscopy of Epipalaeolithic Decorated Pebbles from Arroyo Moreras 2 (Parque Darwin, Madrid);Raman Microscopy as a Primary Technique for Identifying Micro-residues Related to Tool-use on Prehistoric Stone Artefacts;Biological Materials of Significance to Cultural Heritage;Discrimination of Contraband Ivories Using Long Wavelength Portable Raman Instrumentation;Micro-Raman and Provenance Studies: The Case of Levantine Ceramics;Raman Spectroscopy for the Identification of Materials in Contemporary Painting;Application of Micro-spatially Offset Raman Spectroscopy to Street Art Paintings;Raman Spectroscopy as a Cultural Heritage Forensic Tool;Outdoor Bronze and Its Protection;Analysis of the Degradation of Medieval Mural Paintings in the Open Air Abandoned Church of Ribera, North of Spain;Miniaturized Raman Spectrometers Applied to Gemstone Analyses on Works of Art;New Case Studies: Diamonds, Jades, Corundum and Spinel;The Cultural Meanings of Color: Raman Spectroscopic Studies of Red, Pink, and Purple Dyes in Late Edo and Early Meiji Period Prints;Raman Spectroscopy Applied to the Analysis of Typomorphic Minerals in Various Provenance Investigations of Cultural Heritage Objects;Pitfalls in Raman Spectroscopy Applied to Art and Archaeology: A Practical Survival Guide for Non-specialists;Subject Index

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• Analytical Raman Spectroscopy of Inks;Raman Spectroscopic Analysis of Romano-British Wall Paintings: A Comparison Between Geographically Different Sites at the Northern Fringe of the Roman Empire;Evidence of Pentimenti for the Authentication of Paintings: A Challenge for Analytical Science at the Interface with Art History;Dancing on Eggshells: A Holistic Analytical Study of a Ballet Dancer on Regency Porcelain;Pigments and Colourants;Micro Raman Spectroscopy of Epipalaeolithic Decorated Pebbles from Arroyo Moreras 2 (Parque Darwin, Madrid);Raman Microscopy as a Primary Technique for Identifying Micro-residues Related to Tool-use on Prehistoric Stone Artefacts;Biological Materials of Significance to Cultural Heritage;Discrimination of Contraband Ivories Using Long Wavelength Portable Raman Instrumentation;Micro-Raman and Provenance Studies: The Case of Levantine Ceramics;Raman Spectroscopy for the Identification of Materials in Contemporary Painting;Application of Micro-spatially Offset Raman Spectroscopy to Street Art Paintings;Raman Spectroscopy as a Cultural Heritage Forensic Tool;Outdoor Bronze and Its Protection;Analysis of the Degradation of Medieval Mural Paintings in the Open Air Abandoned Church of Ribera, North of Spain;Miniaturized Raman Spectrometers Applied to Gemstone Analyses on Works of Art;New Case Studies: Diamonds, Jades, Corundum and Spinel;The Cultural Meanings of Color: Raman Spectroscopic Studies of Red, Pink, and Purple Dyes in Late Edo and Early Meiji Period Prints;Raman Spectroscopy Applied to the Analysis of Typomorphic Minerals in Various Provenance Investigations of Cultural Heritage Objects;Pitfalls in Raman Spectroscopy Applied to Art and Archaeology: A Practical Survival Guide for Non-specialists;Subject Index

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