• Section I. Introduction;Introduction to Raman Spectroscopy;Practical Raman Spectroscopy and Complementary Techniques;Section II. Dyes and Pigments: Overview: Dyes and Pigments;Case Study: Prehistoric Art;Case Study: Painters and Decorators: Raman Spectroscopic Studies of Five Romano-British Villas and The Domis Coiedii at Suasa, Italy;Case Study: Xth Century Manuscript Beato de Valcavdo;Case Study: Micro-Raman and GC-MS of Frescoes;Case Study: Field and in situ identification of pigments in works of art by micro-Raman and visible-NIR reflectance spectroscopies: a polychrome 16th-century Italian fresco and black-coloured Etruscan pottery;Case Study: The Analysis of Dyes by SERRS;Section III. Artefacts;Overview;Case Study: Raman spectroscopy: a powerful tool for the analysis of museum objects;Case Study: Glasses, Glazes and Ceramics - Recognition of the Ancient Technology from the Raman Spectra;Case Study: Fifteen Years of Artefacts Investigations by Raman Microscopy;Case Study: Phase Analysis of Third Millenium Syrian Ceramics by Micro-Raman Spectroscopy;Secion IV. Biological Materials and Degradation;Overview: Biological Materials and Degradation;Case Study: Raman Spectroscopy and Archaeological Biomaterials: Ochred Bones and Resin Tembetß;Case Study: Chinese Scrolls and other Fluorescent samples;Case Study: Ancient Textile Fibres;Case Study: Application of Raman spectroscopy to corrosion products;Overview: Jewellery and precious stones;Case Study: Diamonds, Gemstones and Pearls: From the Past to the Present;Case Study: Analysis of nephrite jade using Raman microscopy and X-ray fluorescence spectroscopy;Case Study: Mesoamerican Jade;Section VI. Databases;Database of 74 Raman Spectra of Standard Minerals of relevance to metal corrosion, stained glass or Prehistoric rock art;Section VII. Summary;Summary and Future.

It is very suitable not only for scientists but also for those conservators involved with Art, Art History, Archaeology and the conservation of heritage......an excellent compendium of the state-of-the-art of Raman spectroscopy and, especially, the most recent advances and findings applied to Art History and Archaeology.

• Section I. Introduction;Introduction to Raman Spectroscopy;Practical Raman Spectroscopy and Complementary Techniques;Section II. Dyes and Pigments: Overview: Dyes and Pigments;Case Study: Prehistoric Art;Case Study: Painters and Decorators: Raman Spectroscopic Studies of Five Romano-British Villas and The Domis Coiedii at Suasa, Italy;Case Study: Xth Century Manuscript Beato de Valcavdo;Case Study: Micro-Raman and GC-MS of Frescoes;Case Study: Field and in situ identification of pigments in works of art by micro-Raman and visible-NIR reflectance spectroscopies: a polychrome 16th-century Italian fresco and black-coloured Etruscan pottery;Case Study: The Analysis of Dyes by SERRS;Section III. Artefacts;Overview;Case Study: Raman spectroscopy: a powerful tool for the analysis of museum objects;Case Study: Glasses, Glazes and Ceramics - Recognition of the Ancient Technology from the Raman Spectra;Case Study: Fifteen Years of Artefacts Investigations by Raman Microscopy;Case Study: Phase Analysis of Third Millenium Syrian Ceramics by Micro-Raman Spectroscopy;Secion IV. Biological Materials and Degradation;Overview: Biological Materials and Degradation;Case Study: Raman Spectroscopy and Archaeological Biomaterials: Ochred Bones and Resin Tembetß;Case Study: Chinese Scrolls and other Fluorescent samples;Case Study: Ancient Textile Fibres;Case Study: Application of Raman spectroscopy to corrosion products;Overview: Jewellery and precious stones;Case Study: Diamonds, Gemstones and Pearls: From the Past to the Present;Case Study: Analysis of nephrite jade using Raman microscopy and X-ray fluorescence spectroscopy;Case Study: Mesoamerican Jade;Section VI. Databases;Database of 74 Raman Spectra of Standard Minerals of relevance to metal corrosion, stained glass or Prehistoric rock art;Section VII. Summary;Summary and Future.

It is very suitable not only for scientists but also for those conservators involved with Art, Art History, Archaeology and the conservation of heritage......an excellent compendium of the state-of-the-art of Raman spectroscopy and, especially, the most recent advances and findings applied to Art History and Archaeology.

• Section I. Introduction;Introduction to Raman Spectroscopy;Practical Raman Spectroscopy and Complementary Techniques;Section II. Dyes and Pigments: Overview: Dyes and Pigments;Case Study: Prehistoric Art;Case Study: Painters and Decorators: Raman Spectroscopic Studies of Five Romano-British Villas and The Domis Coiedii at Suasa, Italy;Case Study: Xth Century Manuscript Beato de Valcavdo;Case Study: Micro-Raman and GC-MS of Frescoes;Case Study: Field and in situ identification of pigments in works of art by micro-Raman and visible-NIR reflectance spectroscopies: a polychrome 16th-century Italian fresco and black-coloured Etruscan pottery;Case Study: The Analysis of Dyes by SERRS;Section III. Artefacts;Overview;Case Study: Raman spectroscopy: a powerful tool for the analysis of museum objects;Case Study: Glasses, Glazes and Ceramics - Recognition of the Ancient Technology from the Raman Spectra;Case Study: Fifteen Years of Artefacts Investigations by Raman Microscopy;Case Study: Phase Analysis of Third Millenium Syrian Ceramics by Micro-Raman Spectroscopy;Secion IV. Biological Materials and Degradation;Overview: Biological Materials and Degradation;Case Study: Raman Spectroscopy and Archaeological Biomaterials: Ochred Bones and Resin Tembetß;Case Study: Chinese Scrolls and other Fluorescent samples;Case Study: Ancient Textile Fibres;Case Study: Application of Raman spectroscopy to corrosion products;Overview: Jewellery and precious stones;Case Study: Diamonds, Gemstones and Pearls: From the Past to the Present;Case Study: Analysis of nephrite jade using Raman microscopy and X-ray fluorescence spectroscopy;Case Study: Mesoamerican Jade;Section VI. Databases;Database of 74 Raman Spectra of Standard Minerals of relevance to metal corrosion, stained glass or Prehistoric rock art;Section VII. Summary;Summary and Future.

It is very suitable not only for scientists but also for those conservators involved with Art, Art History, Archaeology and the conservation of heritage......an excellent compendium of the state-of-the-art of Raman spectroscopy and, especially, the most recent advances and findings applied to Art History and Archaeology.