Prints in Translation, 1450-1750

Suzanne Karr Schmidt is George Amos Poole III Curator of Rare Books and Manuscripts at the Newberry Library, Chicago, USA. Edward H. Wouk is Lecturer in European Art, 1400–1800, at The University of Manchester, UK.

• ContentsList of FiguresPrefaceNotes on ContributorsAbbreviations1 Toward an Anthropology of PrintEdward Wouk2 From Print to Paint and Back Again: Painting Practices and Print Culture in Early Modern AntwerpAlexandra Onuf3 Prints as Paintings: Willem van de Velde the Elder (1611–1693) and Dutch Pen Painting circa 1650–65Lelia Packer4 Between Paper and Sword: Daniel Hopfer and the Translation of Etching in Reformation AugsburgFreyda Spira5 Hunting Erotica: Print Culture and a Seventeenth-Century Rifle in the Collection of the Hessisches Landesmuseum, DarmstadtJonathan Tavares6 Mantegna’s Battle of the Sea Gods: the Material and Thematic Interaction of Print and SculpturePatricia Simons7 Making Time and Space: Collecting Early Modern Printed InstrumentsSuzanne Karr Schmidt8 The State of the Fashion Plate, circa 1727: Historicizing Fashion Between ‘Dressed Prints’ and Dezallier’s RecueilsDavid Pullins9 The Concettismo of Triumph: Maerten van Heemskerck’s Victories of Charles V and Remembering Spanish Omnipotence in a late Sixteenth-Century Writing CabinetArthur J. DiFuria10 St. Michael the Archangel: Spiritual, Visual and Material Translations from Antwerp to LimaStephanie Porras11 Lines of Perception: European Prints and the Mughal KitābkhānaYael RiceBibliographyIndex

Winner of an honorable mention in the 2017 IFPDA Book Award"It is a book which should be read by art historians in every field." - IFPDA Award Jury"This most recent publication is a welcome addition in a continuing reassessment of the value of prints in early modernity. ...These writers’ contributions highlight the abundant opportunities awaiting print scholars—not only for those who examine the reception of European prints in Spain and its territories, as the contributors in this volume have done, but also works produced by Hispanic engravers and artists destined for internal or external markets. As such, this is an edifying collection that offers its readers an expanded perspective of prints in the early modern period."- Renaissance Quarterly"Altogether these essays provide real and often new and important insights, full of information, on the role of prints as sources of works of art and of new visions within the global mobility of visual knowledge in the period between 1450 and 1750."- Print Quarterly"The volume boldly expands an existing dialogue in the field about the historical interchange between modern art-historical specializations, intersections between prints and other media: painting; decoration of luxury arms; scientific instrument designs – even their own literal transformation into such instruments."- Historians of Netherlandish Art Reviews