Political Imagination in Spanish Graphic Narrative

Xavier Dapena joined Iowa State’s faculty as an Assistant Professor in Spanish and World Film Studies in 2021, after receiving his Ph.D. in Hispanic Studies and Cinema and Media Studies at the University of Pennsylvania. Based on his first book project “Nobody expects the Spanish Revolution”: the Radical Imagination in Graphic Narrative in Contemporary Spain, he received the Provost Fellowship for Interdisciplinary Innovation Research Award from the University of Pennsylvania for the project Gendering Spanish Comics: a Digital Archive of Women’s Graphic Narratives, and the international grant, the Lucy Shelton Caswell Research Award, from The Ohio State University. His publications on Spanish graphic narrative have appeared in scholarly journals, such as Journal of Spanish Cultural Studies and Revista Canadiense de Estudios Hispánicos and edited volumes, such as Consequential Art: Comics Culture in Contemporary Spain (2019) and Spanish Graphic Narratives: Recent Developments in Sequential Art (2020).Joanne Britland is Assistant Professor of Spanish at Framingham State University (Framingham, MA) after receiving her Ph.D. in Spanish Literature from the University of Virginia. She specializes in 20th- and 21st- century Iberian literary, cultural, and visual studies. Joanne’s publications on comics, novels, theater, television, and film appear in the Bulletin of Spanish Studies, the Bulletin of Hispanic Studies, Hispanic Studies Review, and Chasqui, with two forthcoming chapters in books published by Renacimiento and SUNY Press. Her current book project analyzes cultural responses to social, political, and economic crises in Spain from the financial crash of 2008 to the COVID-19 pandemic.

• INTRODUCTIONXavier Dapena and Joanne BritlandCHAPTER 1: La burbuja del alquiler en el cómic: Mass Tourism, Gentrification, and Spain’s Housing Crisis in Todo bajo el sol (2021), Soy de Pueblo: Manual Para Sobrevivir en la Ciudad (2011), and Coqueto, mejor ver (2019)Joanne BritlandCHAPTER 2: Drawing Upon Silence: Decolonial Political Protest in the Comics of Ramón Esono EbaléCaroline B. ColquhounCHAPTER 3: Dystopia and Multimodality in Spanish Comics. Hoy es un buen día para morir (2016) by Jesús Colomina Orgaz (Colo)Jorge CataláCHAPTER 4: M21 Magazine and the Construction of a Critical Memory of MadridPedro Pérez del SolarCHAPTER 5: Memories of the Material Body: Virtual Visibility and the Rise of Cyber Zines in Contemporary SpainLauren Benjamin MushroCHAPTER 6: Estamos todas bien as craftivism: Your war or our Struggles?Esther ClaudioCHAPTER 7: From Barcelona’s Underground to Madrid’s Movida: Queer Interventions through Comics in the Spanish TransitionCarla Suárez VegaCHAPTER 8: Hungry for Identity: Graphic Narratives and Food in SpainRosi SongCHAPTER 9: Listening to the Sounds: Acoustic Trauma, Silences, Subaltern Words and Songs as a Source of Memory and Political Imagination in the Spanish Graphic Novel of the 21st CenturyIsabelle ToutonCHAPTER 10: The Art of Aging in Contemporary Spanish Graphic NarrativesRhiannon McGladeCHAPTER 11: The Four Walls of Oblivion: Mediating Female History in Kim and Antonio Altarriba’s El ala rota (2016)Jesús Játiva Fernández CHAPTER 12: Bringing Migration into Perspective(s): Javier de Isusi’s Asӯlum as a Call to Solidarity through Multidirectional MemoryJasmin Wrobel

"Living in the United States for the last decade has given me a new perspective on comics from my homeland, Spain. It has made me appreciate what a vibrant and exceptional creative landscape has developed there during the early years of this century. New graphic novels have challenged the legacy of traditional Spanish comics, but something that was sorely lacking until now was a critical approach to this movement, a project that delved into what makes comics coming from Spain in recent years so fresh and innovative. I’m happy that this collection of essays tackles all those different topics—identity, minorities, memory—in a nuanced and complex way, giving us the chance to stop for a moment and reflect on the new graphic traditions that we’ve been building for the future."Santiago García, Award winning graphic artist of The Ladies-In-Waiting (2017) and author of On the Graphic Novel (2010)"Iberian studies need more concrete research like The Political Imagination of Spanish Graphic Narrative with sharp perspectives on political and social issues that are part of the Spanish Cultural expression in comics. This volume is key to develop intellectual knowledge and critical thinking about representation and ideology. Let’s celebrate this solid and inspirational step toward the discussion of the political power of graphic novels and comics in Contemporary Spain."Ana Merino, Professor and Collegiate Scholar, University of Iowa.During the dictatorship, comics in Spain were one of the few spaces where sociological reality seeped through the interstices of seemingly children’s publications, creating an indelible connection between the ninth art and society. The analyses included in The Political Imagination of Spanish Graphic Narrative demonstrate that this link not only remains alive decades later, but that modern Spanish comics have been able to adapt, in content and form, to the new demands that arise from a constantly evolving society.Álvaro Pons, Professor and Chair of Comic Studies, University of Valencia.