Jean-Luc Nancy (1940–2021) was Distinguished Professor of Philosophy at the Université de Strasbourg and one of the late twentieth and early twenty-first century's foremost thinkers of politics, art, and the body. His wide-ranging thought runs through many books, including Being Singular Plural, The Ground of the Image, Corpus, The Disavowed Community, and Sexistence. His book The Intruder was adapted into an acclaimed film by Claire Denis.

• Translator's Note Preface to the English-Language Edition Form Sketchbook 1 Idea Sketchbook 2 Formative Force Sketchbook 3 The Pleasure of Drawing Sketchbook 4 Forma Formans Sketchbook 5 From Self Toward Self Sketchbook 6 Consenting to Self Sketchbook 7 Gestural Pleasure Sketchbook 8 The Form-Pleasure Sketchbook 9 The Designing/Drawing of the Arts Sketchbook 10 Mimesis Sketchbook 11 Pleasure of Relation Sketchbook 12 Death, Sex, Love of the Invisible Sketchbook 13 Ambiguous Pleasure Sketchbook 14 Purposiveness Without Purpose Sketchbook 15 Desire of the Line Sketchbook 16 Notes

"What is it about drawing that might attract a philosopher's eye? Many things no doubt but not least, there is the (literally) unthinkable movement by which something begins to take shape. Jean-Luc Nancy's approach in The Pleasure in Drawing moves beyond art-historical categories and conceptual schemas to touch on precisely that: he considers the 'formative force' of drawing, not in terms of its formal achievement but in terms of the pleasures afforded by its constant beginning-pleasures of attraction, sense, permanent interruption, tension and intensity. A book full of dazzling insights, imaginative curves and provocative renewals." -- -Sarah Clift University of King's College

Jean-Luc Nancy (1940–2021) was Distinguished Professor of Philosophy at the Université de Strasbourg and one of the late twentieth and early twenty-first century's foremost thinkers of politics, art, and the body. His wide-ranging thought runs through many books, including Being Singular Plural, The Ground of the Image, Corpus, The Disavowed Community, and Sexistence. His book The Intruder was adapted into an acclaimed film by Claire Denis.

• Translator's Note Preface to the English-Language Edition Form Sketchbook 1 Idea Sketchbook 2 Formative Force Sketchbook 3 The Pleasure of Drawing Sketchbook 4 Forma Formans Sketchbook 5 From Self Toward Self Sketchbook 6 Consenting to Self Sketchbook 7 Gestural Pleasure Sketchbook 8 The Form-Pleasure Sketchbook 9 The Designing/Drawing of the Arts Sketchbook 10 Mimesis Sketchbook 11 Pleasure of Relation Sketchbook 12 Death, Sex, Love of the Invisible Sketchbook 13 Ambiguous Pleasure Sketchbook 14 Purposiveness Without Purpose Sketchbook 15 Desire of the Line Sketchbook 16 Notes

"What is it about drawing that might attract a philosopher's eye? Many things no doubt but not least, there is the (literally) unthinkable movement by which something begins to take shape. Jean-Luc Nancy's approach in The Pleasure in Drawing moves beyond art-historical categories and conceptual schemas to touch on precisely that: he considers the 'formative force' of drawing, not in terms of its formal achievement but in terms of the pleasures afforded by its constant beginning-pleasures of attraction, sense, permanent interruption, tension and intensity. A book full of dazzling insights, imaginative curves and provocative renewals." -- -Sarah Clift University of King's College

Jean-Luc Nancy (1940–2021) was Distinguished Professor of Philosophy at the Université de Strasbourg and one of the late twentieth and early twenty-first century's foremost thinkers of politics, art, and the body. His wide-ranging thought runs through many books, including Being Singular Plural, The Ground of the Image, Corpus, The Disavowed Community, and Sexistence. His book The Intruder was adapted into an acclaimed film by Claire Denis.

• Translator's Note Preface to the English-Language Edition Form Sketchbook 1 Idea Sketchbook 2 Formative Force Sketchbook 3 The Pleasure of Drawing Sketchbook 4 Forma Formans Sketchbook 5 From Self Toward Self Sketchbook 6 Consenting to Self Sketchbook 7 Gestural Pleasure Sketchbook 8 The Form-Pleasure Sketchbook 9 The Designing/Drawing of the Arts Sketchbook 10 Mimesis Sketchbook 11 Pleasure of Relation Sketchbook 12 Death, Sex, Love of the Invisible Sketchbook 13 Ambiguous Pleasure Sketchbook 14 Purposiveness Without Purpose Sketchbook 15 Desire of the Line Sketchbook 16 Notes

"What is it about drawing that might attract a philosopher's eye? Many things no doubt but not least, there is the (literally) unthinkable movement by which something begins to take shape. Jean-Luc Nancy's approach in The Pleasure in Drawing moves beyond art-historical categories and conceptual schemas to touch on precisely that: he considers the 'formative force' of drawing, not in terms of its formal achievement but in terms of the pleasures afforded by its constant beginning-pleasures of attraction, sense, permanent interruption, tension and intensity. A book full of dazzling insights, imaginative curves and provocative renewals." -- -Sarah Clift University of King's College