Amos Morris-Reich is Professor in the Department of Jewish History and Thought at the University of Haifa, Israel.Margaret Olin is Senior Research Scholar in the Divinity School at Yale University, USA.

• Chapter One: Steffen Siegel, "Cat in the Window? A Closer Look at How People Try to Have a Closer Look"; Chapter Two: Meir Wigoder, The Surface-Depth of Photography’s Stereoscopic Imagination; Chapter Three: Mary Bergstein, "Radiant Matter: X-ray Photography and the Visual Imagination of Sigmund Freud and Thomas Mann"; Chapter Four: Jas´ Elsner, "The Artemidorus Papyrus: Imagination and the Digital-Photographic Archaeology of Pictures"; Chapter Five: Hagi Keenan, Photography’s Imagination: The Visible and the Invisible; Chapter Six: Britta Lange, "Photography and the Imagination of Authorship. Karl May's Picture Cards from 1896"; Chapter Seven: Amos Morris-Reich, "Photography and Imagination in Nazi ‘Racial Science’"; Chapter Eight: Margaret Olin, "Attentiveness and Visual Imagination in Looking and Photographing: A Gay Liberation Rally in Chicago 1970"; Chapter Nine: Shawn Michelle Smith, "The Performative Index: James VanDerZee, Roland Barthes, Lorna Simpson and the Photographic Imagination"; Chapter Ten: Vered Maimon, "Photography and the Possibility of Return"; Chapter Eleven: Jung Joon Lee, "Queering Imagination, Queering Futurity: A Methodological Approach to Military Photograph"; Chapter Twelve: Blake Stimson, "The Idol of Imagination: Manhatta"; Epilogue: Photography and the Question of the Image

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Amos Morris-Reich is Professor in the Department of Jewish History and Thought at the University of Haifa, Israel.Margaret Olin is Senior Research Scholar in the Divinity School at Yale University, USA.

• Chapter One: Steffen Siegel, "Cat in the Window? A Closer Look at How People Try to Have a Closer Look"; Chapter Two: Meir Wigoder, The Surface-Depth of Photography’s Stereoscopic Imagination; Chapter Three: Mary Bergstein, "Radiant Matter: X-ray Photography and the Visual Imagination of Sigmund Freud and Thomas Mann"; Chapter Four: Jas´ Elsner, "The Artemidorus Papyrus: Imagination and the Digital-Photographic Archaeology of Pictures"; Chapter Five: Hagi Keenan, Photography’s Imagination: The Visible and the Invisible; Chapter Six: Britta Lange, "Photography and the Imagination of Authorship. Karl May's Picture Cards from 1896"; Chapter Seven: Amos Morris-Reich, "Photography and Imagination in Nazi ‘Racial Science’"; Chapter Eight: Margaret Olin, "Attentiveness and Visual Imagination in Looking and Photographing: A Gay Liberation Rally in Chicago 1970"; Chapter Nine: Shawn Michelle Smith, "The Performative Index: James VanDerZee, Roland Barthes, Lorna Simpson and the Photographic Imagination"; Chapter Ten: Vered Maimon, "Photography and the Possibility of Return"; Chapter Eleven: Jung Joon Lee, "Queering Imagination, Queering Futurity: A Methodological Approach to Military Photograph"; Chapter Twelve: Blake Stimson, "The Idol of Imagination: Manhatta"; Epilogue: Photography and the Question of the Image

Select Guide Rating

Amos Morris-Reich is Professor in the Department of Jewish History and Thought at the University of Haifa, Israel.Margaret Olin is Senior Research Scholar in the Divinity School at Yale University, USA.

• Chapter One: Steffen Siegel, "Cat in the Window? A Closer Look at How People Try to Have a Closer Look"; Chapter Two: Meir Wigoder, The Surface-Depth of Photography’s Stereoscopic Imagination; Chapter Three: Mary Bergstein, "Radiant Matter: X-ray Photography and the Visual Imagination of Sigmund Freud and Thomas Mann"; Chapter Four: Jas´ Elsner, "The Artemidorus Papyrus: Imagination and the Digital-Photographic Archaeology of Pictures"; Chapter Five: Hagi Keenan, Photography’s Imagination: The Visible and the Invisible; Chapter Six: Britta Lange, "Photography and the Imagination of Authorship. Karl May's Picture Cards from 1896"; Chapter Seven: Amos Morris-Reich, "Photography and Imagination in Nazi ‘Racial Science’"; Chapter Eight: Margaret Olin, "Attentiveness and Visual Imagination in Looking and Photographing: A Gay Liberation Rally in Chicago 1970"; Chapter Nine: Shawn Michelle Smith, "The Performative Index: James VanDerZee, Roland Barthes, Lorna Simpson and the Photographic Imagination"; Chapter Ten: Vered Maimon, "Photography and the Possibility of Return"; Chapter Eleven: Jung Joon Lee, "Queering Imagination, Queering Futurity: A Methodological Approach to Military Photograph"; Chapter Twelve: Blake Stimson, "The Idol of Imagination: Manhatta"; Epilogue: Photography and the Question of the Image

Select Guide Rating