"You can find numerous good, and some excellent, articles within Perspectives on German Popular Music which, even in their brevity, are important to further the academic discourse surrounding popular music in German in its entirety."- Timor Kaul, Pop-Zeitschrift"This edited collection offers interesting kaleidoscopic reflections on German popular music cultures, through musicological, sociological, and media studies perspectives. (...) It is a welcomed introduction to a large linguistic and cultural musicscape, for too long neglected and which international scholars should start embracing."- Giacomo Bottà, University of Helsinki, Finland"The book offers fascinating studies of artists and genres that have been marginalized in popular music studies, including West German heavy metal, Frank Farian, Helene Fischer, Modern Talking, and the Hamburger Schule, to name only a few. It stands as an important contribution to the study of popular music from German-speaking countries, the historiography of popular music studies in these countries, and the continuing project of legitimizing this discipline in the academy."-Mario Dunkel, l'Université Carl von Ossietzky Oldenburg, Germany"The book provides an excellent,‘bird’s eye’ view of popular music studies and pop-rock music in the German-speaking countries. It amounts to a recommended read for anyone interested in the study of pop-rock music in its globalized context, beyond the Anglo-American core." -Motti Regev, The Open University of Israel, Israel
