Ashgate Popular and Folk Music Series – serie

Tragic Odes of Jerry Garcia and The Grateful Dead

Mystery Dances in the Magic Theater

Singer-Songwriter in Europe

Paradigms, Politics and Place

Songs of Joni Mitchell

Gender, Performance and Agency

Heavy Metal, Gender and Sexuality

Interdisciplinary Approaches

Music and Irish Identity

Celtic Tiger Blues

Popular Music, Cultural Politics and Music Education in China

Technology and the Stylistic Evolution of the Jazz Bass

Community-based Traditional Music in Scotland

A Pedagogy of Participation

Another Song for Europe

Music, Taste, and Values in the Eurovision Song Contest

Paul Weller and Popular Music

Identity, Idiolect and Image

One-Track Mind

Capitalism, Technology, and the Art of the Pop Song

One-Track Mind

Capitalism, Technology, and the Art of the Pop Song

Popular Song in the First World War

An International Perspective

Stories We Could Tell

Putting Words To American Popular Music

Music Festivals in the UK

Beyond the Carnivalesque

Music Festivals and the Politics of Participation

PJ Harvey and Music Video Performance

Death and the Rock Star

From the chanson française to the canzone d'autore in the 1960s and 1970s

Authenticity, Authority, Influence

This is the Sound of Irony: Music, Politics and Popular Culture

Another Song for Europe

Music, Taste, and Values in the Eurovision Song Contest

Music and Noise of the Stooges, 1967-71

Lost in the Future

Music and Noise of the Stooges, 1967-71

Lost in the Future

Studies in Maltese Popular Music

Studies in Maltese Popular Music

History of Live Music in Britain, Volume II, 1968-1984

From Hyde Park to the Hacienda

Status Quo: Mighty Innovators of 70s Rock

Litpop: Writing and Popular Music

Legacies of Ewan MacColl

The Last Interview