Del 0 - Routledge Research in Music

Perspectives on Contemporary Music Theory

Essays in Honor of Kevin Korsyn

Häftad, Engelska, 2024

779 kr

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Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and caliber of his published work, and also his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics.This book, a festschrift for Korsyn, comprises essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory.

Produktinformation

Utgivningsdatum2024-12-18
Mått156 x 234 x 20 mm
Vikt670 g
FormatHäftad
SpråkEngelska
SerieRoutledge Research in Music
Antal sidor350
FörlagTaylor & Francis Ltd
ISBN9781032413730

Tillhör följande kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur
Musikvetenskap inom Kultur

IntroductionAn Interview with Kevin KorsynI. CLOSE READING AND THE PROBLEMATICS OF ANALYSISChapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert’s ‘Der blinde Knabe’Chapter 2. Rethinking Self-referentiality in Schubert’s Setting of Platen’s ‘Die Liebe hat gelogen,’ D. 751 (op. 23, no. 1)Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic DimensionsII. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESSChapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo FormsChapter 5. Beyond Constraints: Bach’s Fugue in G minor from Book 2 of The Well-Tempered ClavierIII. MUSIC AND INTERDISCIPLINARITYChapter 6. Chopin’s Preludes, Creatures of Prometheus, and the PosthumanChapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar EraChapter 8. Completing the Triad: Schenker and Kantian Practical PhilosophyChapter 9. Leni Riefenstahl’s ‘Ballet’ Olympia