Routledge Research in Music – serie

John Williams: Changing the Culture of the Classical Guitar

Performance, perception, education and construction

Double Lives: Film Composers in the Concert Hall

West Side Story, Gypsy, and the Art of Broadway Orchestration

Australia’s Jindyworobak Composers

From Music to Sound

The Emergence of Sound in 20th- and 21st-Century Music

Burma, Kipling and Western Music

The Riff from Mandalay

Music Video After MTV

Audiovisual Studies, New Media, and Popular Music

Music, Time, and Its Other

Aesthetic Reflections on Finitude, Temporality, and Alterity

Preserving Popular Music Heritage

Do-it-Yourself, Do-it-Together

Sound Heritage

Making Music Matter in Historic Houses

Performing Arts in Changing Societies

Opera, Dance, and Theatre in European and Nordic Countries around 1800

Consolations of History: Themes of Progress and Potential in Richard Wagner’s Gotterdammerung

Shaping Sound and Society

The Cultural Study of Musical Instruments

Orpheus in the Academy

Monteverdi's First Opera and the Accademia degli Invaghiti

Opera, Emotion, and the Antipodes Volume I

Historical Perspectives: Creating the Metropolis; Delineating the Other

Opera, Emotion, and the Antipodes Volume II

Applied Perspectives: Compositions and Performances

Researching Secular Music and Dance in the Early United States

Extending the Legacy of Kate Van Winkle Keller

Researching Secular Music and Dance in the Early United States

Extending the Legacy of Kate Van Winkle Keller

From Stage to Studio

Performances versus Recordings in Classical Music

From Stage to Studio

Performances versus Recordings in Classical Music

Music in Religious Cults of the Ancient Near East

Music in Religious Cults of the Ancient Near East

Australia’s Jindyworobak Composers

Global Percussion Innovations

The Australian Perspective

Opera in a Multicultural World

Coloniality, Culture, Performance

Edward MacDowell’s European Piano Music

The Forging of an American Composer

Edward MacDowell’s European Piano Music

The Forging of an American Composer

Medievalism and Nationalism in German Opera

Euryanthe to Lohengrin

Opera, Emotion, and the Antipodes Volume I

Historical Perspectives: Creating the Metropolis; Delineating the Other