Performance Analysis

Colin Counsell is based at The University of North London. Laurie Wolf is Assistant Professor for Theatre at The College of William and Mary, Virginia, USA.

• Preface Acknowledgements Part 1: Decoding The Artefact 1.1 The Sign 1.2 Myth 1.3 Structure 1.4 The Frame Part 2: The Politics of Performance 2.1 Ideology 2.2 Epic Theatre 2.3 The Postmodern Avant-Garde Part 3: Performing Gender and Sexual Identity 3.1 Constructing Gender 1: The Property Model 3.2 Constructing Gender II: The Culture/Nature Model 3.3 The Drag Act 3.4 Gestic Criticism 3.5 Acting Camp Part 4: Performing Ethnicity 4.1 The Other 4.2 Blackface 4.3 The Resisting Viewer 4.4 Orality Part 5: The Performing Body 5.1 Political Bodies 5.2 Moving Bodies 5.3 Transgressive Bodies 5.4 The Body Adorned Part 6: The Space of Performance 6.1 Enacting Space 6.2 Locus & Platea 6.3 Environmental Space Part 7: Spectator & Audience 7.1 The Interactive Spectator 7.2 The Gaze 7.3 Structure of Feeling Part 8: At the Borders of Performance 8.1 Lininal and Liminoid 8.2 The Pageant 8.3 Carnival 8.4 Deep Play Part 9: Analysing Performance.

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