Kyle Frackman holds a PhD in German and Scandinavian Studies from the University of Massachusetts Amherst and a degree in German Studies from Hamline University (Minnesota). He is currently Assistant Professor of Germanic Studies at the University of British Columbia in Vancouver, where he teaches graduate and undergraduate courses on German and Scandinavian literature and film.

• Contents: Othering, Abjection, and Belonging – Young Corporeality and Unstable Morality in Frank Wedekind’s Frühlings Erwachen – Discipline, Sexual Complicity, and Queer Space in Robert Musil’s Törleß – Transnationalism, Identity, and Fantasy in Kutluğ Ataman’s Lola und Bilidikid – Nation, HIV/AIDS, and Sexuality in Pierre Sanoussi-Bliss’s Zurück auf los.

Kyle Frackman holds a PhD in German and Scandinavian Studies from the University of Massachusetts Amherst and a degree in German Studies from Hamline University (Minnesota). He is currently Assistant Professor of Germanic Studies at the University of British Columbia in Vancouver, where he teaches graduate and undergraduate courses on German and Scandinavian literature and film.

• Contents: Othering, Abjection, and Belonging – Young Corporeality and Unstable Morality in Frank Wedekind’s Frühlings Erwachen – Discipline, Sexual Complicity, and Queer Space in Robert Musil’s Törleß – Transnationalism, Identity, and Fantasy in Kutluğ Ataman’s Lola und Bilidikid – Nation, HIV/AIDS, and Sexuality in Pierre Sanoussi-Bliss’s Zurück auf los.

Kyle Frackman holds a PhD in German and Scandinavian Studies from the University of Massachusetts Amherst and a degree in German Studies from Hamline University (Minnesota). He is currently Assistant Professor of Germanic Studies at the University of British Columbia in Vancouver, where he teaches graduate and undergraduate courses on German and Scandinavian literature and film.

• Contents: Othering, Abjection, and Belonging – Young Corporeality and Unstable Morality in Frank Wedekind’s Frühlings Erwachen – Discipline, Sexual Complicity, and Queer Space in Robert Musil’s Törleß – Transnationalism, Identity, and Fantasy in Kutluğ Ataman’s Lola und Bilidikid – Nation, HIV/AIDS, and Sexuality in Pierre Sanoussi-Bliss’s Zurück auf los.