Dorothy L. Hodgson teaches anthropology at Rutgers University, New Brunswick, New Jersey, where she is affiliated with the Center for African Studies and the Women's Studies Department.

• Introduction: Seeing Maasai1. Gender, Generation, and Ethnicity: Being Maasai Men and WomenMaasai Portrait 1: Koko2. Modernist Orders: Colonialism and the Production of MarginalityMaasai Portrait 2: Wanga3. Why Are You in Such a Hurry? Development and DecolonizationMaasai Portrait 3: Thomas4. Politics of the Postcolonial Periphery: Gender, Ethnicity, and CitizenshipMaasai Portrait 4: Edward Moringe Sokoine5. Poverty and Progress: Gender, Ethnicity, and Pastoralist DevelopmentMaasai Portrait 5: Mary6. The Gendered Contradictions of Modernity and MarginalityConclusion: Maasai Pasts, Maasai FuturesEpilogue: The Last of the Maasai?

"[T]his is a well-researched and innovative account. The 'intrepid women' of the French army have found their historian.42 2012"—European History Quarterly

Dorothy L. Hodgson teaches anthropology at Rutgers University, New Brunswick, New Jersey, where she is affiliated with the Center for African Studies and the Women's Studies Department.

• Introduction: Seeing Maasai1. Gender, Generation, and Ethnicity: Being Maasai Men and WomenMaasai Portrait 1: Koko2. Modernist Orders: Colonialism and the Production of MarginalityMaasai Portrait 2: Wanga3. Why Are You in Such a Hurry? Development and DecolonizationMaasai Portrait 3: Thomas4. Politics of the Postcolonial Periphery: Gender, Ethnicity, and CitizenshipMaasai Portrait 4: Edward Moringe Sokoine5. Poverty and Progress: Gender, Ethnicity, and Pastoralist DevelopmentMaasai Portrait 5: Mary6. The Gendered Contradictions of Modernity and MarginalityConclusion: Maasai Pasts, Maasai FuturesEpilogue: The Last of the Maasai?

"[T]his is a well-researched and innovative account. The 'intrepid women' of the French army have found their historian.42 2012"—European History Quarterly

Dorothy L. Hodgson teaches anthropology at Rutgers University, New Brunswick, New Jersey, where she is affiliated with the Center for African Studies and the Women's Studies Department.

• Introduction: Seeing Maasai1. Gender, Generation, and Ethnicity: Being Maasai Men and WomenMaasai Portrait 1: Koko2. Modernist Orders: Colonialism and the Production of MarginalityMaasai Portrait 2: Wanga3. Why Are You in Such a Hurry? Development and DecolonizationMaasai Portrait 3: Thomas4. Politics of the Postcolonial Periphery: Gender, Ethnicity, and CitizenshipMaasai Portrait 4: Edward Moringe Sokoine5. Poverty and Progress: Gender, Ethnicity, and Pastoralist DevelopmentMaasai Portrait 5: Mary6. The Gendered Contradictions of Modernity and MarginalityConclusion: Maasai Pasts, Maasai FuturesEpilogue: The Last of the Maasai?

"[T]his is a well-researched and innovative account. The 'intrepid women' of the French army have found their historian.42 2012"—European History Quarterly