Elliott Antokoletz, Professor of Musicology at the University of Texas at Austin, is author of several books on 20th-century music and editor of the International Journal of Musicology. He received the Béla Bartók Memorial Plaque and Diploma from the Hungarian Government in 1981. Majoring in violin at The Juilliard School, he later received his PhD in Musicology from the City University of New York.

• Contents: Sources of Musical Language and Style – Modal and Structural Variation – Hybrid Modes and Interval Sets – Twelve-Tone Idea as Scale or Theme: Cyclic Set, Inversional Symmetry, and Diatonic/Whole-Tone Transformations – Metamorphosis and Identity.

Elliott Antokoletz, Professor of Musicology at the University of Texas at Austin, is author of several books on 20th-century music and editor of the International Journal of Musicology. He received the Béla Bartók Memorial Plaque and Diploma from the Hungarian Government in 1981. Majoring in violin at The Juilliard School, he later received his PhD in Musicology from the City University of New York.

• Contents: Sources of Musical Language and Style – Modal and Structural Variation – Hybrid Modes and Interval Sets – Twelve-Tone Idea as Scale or Theme: Cyclic Set, Inversional Symmetry, and Diatonic/Whole-Tone Transformations – Metamorphosis and Identity.

Elliott Antokoletz, Professor of Musicology at the University of Texas at Austin, is author of several books on 20th-century music and editor of the International Journal of Musicology. He received the Béla Bartók Memorial Plaque and Diploma from the Hungarian Government in 1981. Majoring in violin at The Juilliard School, he later received his PhD in Musicology from the City University of New York.

• Contents: Sources of Musical Language and Style – Modal and Structural Variation – Hybrid Modes and Interval Sets – Twelve-Tone Idea as Scale or Theme: Cyclic Set, Inversional Symmetry, and Diatonic/Whole-Tone Transformations – Metamorphosis and Identity.