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Sandor Goodhart, Scott Cowdell - Möbian Nights, Häftad

Häftad, Engelska, 2019

Del i serien Violence, Desire, and the Sacred

Möbian Nights

Reading Literature and Darkness

Av Sandor Goodhart, Scott Cowdell

809 kr

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Beskrivning
“I died at Auschwitz,” French writer Charlotte Delbo asserts, “and nobody knows it.” Möbian Nights: Reading Literature and Darkness develops a new understanding of literary reading: that in the wake of disasters like the Holocaust, death remains a premise of our experience rather than a future. Challenging customary “aesthetic” assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Möbian Nights proposes that all literature works “autobiographically”, which is to say, in the wake of disaster; with the credo “I died; therefore, I am”; and for which the language of topology (for example, the “Möbius strip”) offers a vocabulary for naming the “deep structure” of such literary, critical, and scriptural sacrificial and anti-sacrificial dynamics.
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Sandor Goodhart is Professor of English and Jewish Studies at Purdue University, USA. He is the author of editor of five books, including The Prophetic Law. Essays in Judaism, Girardianism, Literary Studies, and the Ethical (2014), Sacrifice, Scripture, and Substitution: Readings in Ancient Judaism and Christianity (co-edited with Ann Astell, 2011) and For René Girard. Essays in Friendship and Truth (co-edited with Jørgen Jørgenson, Tom Ryba, and James G. Williams, 2009).

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In this beautifully written and strikingly original contribution to post-Holocaust literature, Sandor Goodhart locates in the Möbian structure first described by 19th-century mathematician August Ferdinand Möbius a model for difference or otherness that, in fact, attests to continuity and sameness. Tracing in Möbian fashion an autobiographical line extending from Homer to Beckett, Goodhart shows that we never stand outside the drama the literary presents to us. Suggesting that Möbian logic is endemic to all literary critical discourse, Goodhart, at once an astute philosopher and consummate Jewish storyteller, attests to the 'doubling back of language on itself' in a dark night that makes all writing 'the story of my death.'

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