Lomazzo’s Aesthetic Principles Reflected in the Art of his Time

With a Foreword by Paolo Roberto Ciardi, an Introduction by Jean Julia Chai, and an Afterword by Alexander Marr

Inbunden, Engelska, 2020

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Lomazzo's Aesthetic Principles Reflected in the Art of his Time explores the work of the Milanese artist-theorist Giovanni Paolo Lomazzo (1538–92) and his influence on the circle of the Accademia della Val di Blenio and beyond. Following reflections on Lomazzo's fortuna critica, the accompanying essays examine his admiration of Gaudenzio Ferrari; Lomazzo’s painted oeuvre; his influence on printmaking with Giovanni Ambrogio Brambilla; on drawing and painting with Aurelio Luini; on the decorative arts and the embroideress Caterina Cantoni; his pupilsGiovanni Ambrogio Figino and Girolamo Ciocca; grotesque sculpture outside Milan; and Lomazzo in England with Richard Haydocke’stranslation of the Trattato. In doing so, this book takes an innovative approach—one which aims to bridge the scholarship, hitherto disjoined, between Lomazzo the artist and Lomazzo the theorist—while expanding our knowledge of a protagonist of Renaissance and early modern art theory. Contributors: Alessia Alberti, Federico Cavalieri, Jean Julia Chai, Roberto Paolo Ciardi, Alexander Marr, Silvia Mausoli, Mauro Pavesi, Rossana Sacchi, Paolo Sanvito, and Lucia Tantardini.

Produktinformation

Utgivningsdatum2020-08-27
Mått155 x 235 x 16 mm
Vikt589 g
FormatInbunden
SpråkEngelska
SerieBrill's Studies on Art, Art History, and Intellectual History
Antal sidor222
FörlagBrill
ISBN9789004359505

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Rebecca Norris, Ph.D. (2014, University of Cambridge) is Adjunct Professor at Claremont Graduate University. She has published articles on North-Italian Renaissance art including “Women on the Edge: The Saletta delle Dame of the Palazzo Salvadego in Brescia” in The Music Room in Early Modern France and Italy (Oxford University Press, 2012).Lucia Tantardini, Ph.D. (2014, University of Cambridge) is a Department Lecturer in History of Art at the University of Cambridge and a Fellow of Clare Hall, Cambridge. She has published articles on Renaissance Milan and is working on two books: Aurelio Luini (ca. 1530–93). The Complete Paintings and Drawings (Bozzi, 2021), and Drawing in Renaissance Milan (Routledge, 2021).

PrefaceLucia TantardiniForeword: Lomazzo's TempleRoberto Paolo CiardiAcknowledgementsList of Figures and MapsList of AbbreviationsNotes on ContributorsNotesChronology of Lomazzo’s Life and CareerIntroduction: Lomazzo Studies: Getting the Whole PictureJean Julia Chai1 ‘Oh blessed, excellent mind and hands!’: Lomazzo’s Admiration for Gaudenzio FerrariRossana Sacchi2 New Light on Lomazzo’s Artistic CareerMauro Pavesi3 Giovanni Ambrogio Brambilla: Poet, Painter, Draughtsman, and Printmaker between Milan and RomeAlessia Alberti4 Lomazzo vs. Luini: Comparative AestheticsLucia Tantardini5 ‘De la gran Cantona i chiari honori’: Caterina Cantoni, Lomazzo, and the Accademia della Val di BlenioSilvia Mausoli6 Lomazzo’s Two Pupils: ‘first is Figino, and then Ciocca’Federico Cavalieri and Mauro Pavesi7 Lomazzo’s Influence on Decorative Patterns in Sculptural Workshops Before and After 1600Paolo SanvitoAfterword: Lomazzo's ShadowAlexander MarrAppendicesBibliographyIndex of Proper NamesIndex of Places