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This book argues that narrative literature very often, if not always, include significant amounts of what appears to be extra-literary material – in form and in content – and that we too often ignore this dimension of literature. It offers an up to date overview and discussion of intermedial theory, and it facilitates a much-needed dialogue between the burgeoning field of intermedial studies on the one side and the already well-developed methods of literary analysis on the other. The book aims at working these two fields together into a productive working method. It makes evident, in a methodologically succinct way, the necessity of approaching literature with an intermedial terminology by way of a relatively simple but never the less productive three-step analytic method. In four in-depth case studies of Anglophone texts ranging from Nabokov, Chandler and Tobias Wolff to Jennifer Egan, it demonstrates that medialities matter.
Jørgen Bruhn is Professor of Comparative Literature at Linnæus University, Sweden. His main focus areas are literary theory and criticism, intermediality and media studies, and adaptation studies. In 2013 he edited (with Anne Gjelsvik and Eirik Frisvold Hansen) and contributed to Adaptation Studies: New Challenges, New Directions.
Acknowledgments.- 1. Introduction.- 2. What is Mediality, and (How) does it Matter? Theoretical Terms and Methodology.- 3. Speak, Memory? Vladimir Nabokov, “Spring in Fialta”.- 4. “This beats tapes, doesn’t it?” – Women, cathedrals, and other medialities in Raymond Carver’s “Cathedral”.- 5. “Great script, eh?” – Medialities, metafiction and non-meaning in Tobias Wolff’s “Bullet in the brain”.- 6. Between punk and PowerPoint: Authenticity versus medialities in Jennifer Egan’s A visit from the goon squad.- 7. Afterthoughts.- Bibliography.- Index.-
"Jorgen Bruhn's Intermediality and Narrative Literature demonstrates, in specific case studies, how mediality analysis is able to provide valuable interpretations of literary texts. As such, it is an important contribution for those who want to learn how to see literature with "a fresh pair of eyes"." (Translated from Portuguese, Maria Angelica Amancio, Revista Criacao & Critica, (16), 2016)
Camilla Brudin Borg, Jørgen Bruhn, Rikard Wingård, Björn Billing, Amelie Björck, Martin Hellström, Johanna Lindbo, Ann-Sofie Lönngren, Wojciech Malecki, Erik van Ooijen, Niklas Salmose, Matthew Schneider-Mayerson, Cecilia Åsberg
Johan Gardfors, Mats Jansson, Nils Olsson, Mikael van Reis, Kristoffer Noheden, Niclas Östlind, Louise Wolthers, Björn Billing, Thomas Hvid Kromann, Unni Langås, Sonia Lagerwall, Hans Kristian S. Rustad, Jørgen Bruhn
Camilla Brudin Borg, Jørgen Bruhn, Rikard Wingård, Björn Billing, Amelie Björck, Martin Hellström, Johanna Lindbo, Ann-Sofie Lönngren, Wojciech Malecki, Erik van Ooijen, Niklas Salmose, Matthew Schneider-Mayerson, Cecilia Åsberg
Jørgen Bruhn, Johanna Sjöberg, Kee Lundqvist, Elisa Rossholm, Linda Sternö, Katarina Eriksson, Erik Rosales, David Cardell, Susanne Kjällander, Malena Janson, Lena Kåreland, Anna Sofia Rossholm, Ingeborg Wasserman, Ulrika Goude
Piia K Posti, Vasilis Papageorgiou, Ann-Margreth Willebrand, Marianne Enge Swartz, Dagmar Brunow, Margareta Petersson, Hans Hägerdal, Magnus Eriksson, Gunlög Fur, Astrid Regnell, Anna Forssberg, Malin Alkestrand, Gunilla Byrman, Cecilia Davidsson, Maria Nilson, Anna Sjöblom, Sara Wiking, Jørgen Bruhn, Anker Gemzøe, Anna Salomonsson, Åsa Nilsson Skåve, Martin Hellström
Johan Gardfors, Mats Jansson, Nils Olsson, Mikael van Reis, Kristoffer Noheden, Niclas Östlind, Louise Wolthers, Björn Billing, Thomas Hvid Kromann, Unni Langås, Sonia Lagerwall, Hans Kristian S. Rustad, Jørgen Bruhn