"What Roger is justifiably attempting to do is relocate media in the international relations literature; namely, to treat the media landscape as a central principle, perhaps the primary theatre in which events are played out. Combining theoretical literature from international relations and from strategic, cultural, media and terrorist studies, he traces the changing nature of image use during the so-called War on Terror [...] The reason Roger deserves a wider readership is that he is tackling a significant argument, and one that some in the academy and government on both sides of the Atlantic have been engaged in for many years." - Times Higher Education