For artists, critics, theoreticians, and the like, this book is a call to engage with philosophy's numerous critical resources. Michael Kelly takes a significant first stab at healing the deleterious rift between philosophical aesthetics, on the one hand, and art, art criticism, art history, and 'theory' on the other. This is an ambitious and important book! No other work in the literature-art historical or philosophical-makes such an attempt. -- A.W. Eaton, University of Illinois at Chicago In elegant and trenchant commentaries on influential twentieth-century artists, art movements, and art theories (ranging from John Dewey to Susan Sontag and from Pop art to Doris Salcedo), Michael Kelly interrogates the 'anti-aesthetic' stance among certain artists and critics and in recent histories and philosophies of the arts, and reinvigorates the possibility of a robust critical aesthetics of art. Weaving careful attention to the aesthetic, social, and ethical claims of particular artworks with an investigation of a range of philosophical and critical responses to them, Kelly shows that the very possibilities of art as critique and of the critique of art demand-even 'hunger for'-an aesthetics that addresses the moral-political stakes and limits of art. Kelly's explication and defense of aesthetics as the grounds of art critique-rather than inimical to it-will interest not only philosophers of art and aestheticians of all stripes. In developing theoretical resources to renew the relations between aesthetics and ethics, social theory, and political economy, it will command the close attention of curators, historians, sociologists, and practitioners of the arts, especially those who have been tempted to abandon aesthetics. -- Whitney Davis, University of California, Berkeley Useful for scholars in philosophy who are reflecting on the links between aesthetics and beauty in contemporary art. Literature and Aesthetics
