Columbia Themes in Philosophy, Social Criticism, and the Arts – serie

Doing Aesthetics with Arendt

How to See Things

Crowds and Democracy

The Idea and Image of the Masses from Revolution to Fascism

Things Beyond Resemblance

Collected Essays on Theodor W. Adorno

Don Giovanni Moment

Essays on the Legacy of an Opera

Art’s Claim to Truth

Art’s Claim to Truth

Aesthetics of Uncertainty

Aesthetics of Uncertainty

Music, Madness, and the Unworking of Language

Music, Madness, and the Unworking of Language

Literature, Life, and Modernity

Elective Affinities

Musical Essays on the History of Aesthetic Theory

Elective Affinities

Musical Essays on the History of Aesthetic Theory

Brief History of the Masses

Three Revolutions

Tragic Play

Irony and Theater from Sophocles to Beckett

Under Suspicion

A Phenomenology of Media

Queer Beauty

Sexuality and Aesthetics from Winckelmann to Freud and Beyond

Cultural Space of the Arts and the Infelicities of Reductionism

Duchamp and the Aesthetics of Chance

Art as Experiment

Sacred Exchanges

Images in Global Context

Dialectical Passions

Negation in Postwar Art Theory

Soul and Form

Soul and Form

Autonomy of Pleasure

Libertines, License, and Sexual Revolution

Hunger for Aesthetics

Enacting the Demands of Art

Hunger for Aesthetics

Enacting the Demands of Art

Afterness

Figures of Following in Modern Thought and Aesthetics

Feminist Aesthetics and the Politics of Modernism

Feminist Aesthetics and the Politics of Modernism